"The Pond" Meditation Video Now on DVD



Experience the full audiovisual transformative experience of THE POND now on DVD at Amazon:


THE POND is a short video meditation for relaxation, personal growth and transformation. Transformative approaches to audiovisual expression are used to capture the presence and atmosphere of the natural environment of a pond and the state of consciousness one can acquire when meditating in this environment. The gentle movement and presence of swimming fish and the interplay of earth, water and light, combine to create a healing and calming energy, while subtle shifts in perspective and consciousness-altering audiovisual elements help stimulate the expansion of both inner and outer awareness.

"The Pond" Selected for Screening at the Hygienic Art Gallery Screening Room 21 Film Festival



"The Pond" was selected for screening at the upcoming Hygienic Art Gallery Screening Room 21 Film Festival in New London, Connecticut on January 24th, 2014. Screening Room 21 is New London’s premier indie film festival features works from both emerging and established filmmakers.

For more on information visit:
The Hygienic Art Gallery Website
Screening Room 21 Event Page
Screening Room 21 Facebook Event Page


Announcing the Online Exhibition of "The Pond" on the Integral Life Art Gallery



This month Integral Life Art Gallery offers their first presentation of video art. The first gallery in this medium is from Mark Allan Kaplan, the pre-eminent theorist and practitioner of integral cinema, who has produced on Integral Life a remarkable series of articles titled “Integral Cinema Studio.” For the gallery this month he offers us a work of Integral video art — this designation not simply about the kinds of technological device used (here a mini-DV camera) but also about the work’s tacit referencing of modes of display that are not centered in movie theatres, as well as its length (5 minutes) and contemplative-meditative mode of artistic expression. The piece is titled THE POND and dates from 2002.

Kaplan’s video draws knowingly on the sundry lineages of moving images (mass media cinema, experimental film, artistic-exhibition), essayed into affecting in the viewer a series of shifts in consciousness. As the artist reports, he entered into meditative states in both the shooting and the editing of the video. In its gorgeous poetically integrative form, many of the frames approaching the beauty of standalone photographic art, as well as the modes of consciousness it evokes, we are privy to a shining instance of integral video art.

In the artist's own words:

As a cinematic/video artist I see myself as a creative inquirer, exploring the potentials of the medium to effect growth and transformation, and attempting to push the medium’s own evolutionary boundaries. My recent video work has focused on explorations of the potential effects that a video artist’s consciousness can have on a video art work; the potential capacity of the medium to communicate that consciousness; and the capacity of the medium to capture and express individual and collective sentient presence, human and other species, along with objective and atmospheric presence or the felt-sense of being in the presence of certain physical objects and within various physical environments.

In THE POND I used Integral transformative practices before, during, and after all aspects of the creative process, exploring if and how an Integrally-informed state of creation consciousness would affect the creative process and work. During the filming of THE POND this Integrally-informed state appeared to give me the ability to alternately and simultaneously hold the awareness of the individual and collective sentient presence of the koi fish swimming in the pond and the physical and environmental realities of the pond itself. This Integrally-informed creation state also seemed to give me the capacity to transcend and include my awareness of my own body, consciousness and the creative technology and become an Integrally-informed mirror for these multiple dimension-perspectives. As I continued using this creation state through the post-production process I felt a force within my own being and within the material itself guiding me toward my goal of attempting to translate and share this deep and transformative Integrally-informed lived-experience of THE POND.

Mark Allan Kaplan

VOICE IN EXILE Classic Film on Stuttering now available on DVD, VOD and Digital Download at Amazon

VOICE IN EXILE – The Powerful Award-Winning Classic Narrative Film Capturing the Experience of Stuttering – Is now available on DVD, Video On Demand, and Digital Download from Amazon.com at: http://www.amazon.com/Voice-Exile-Ben-Bottoms/dp/B00BJC8J9C/ 


“VOICE IN EXILE is the first film on stuttering that tells the story from the inside with all the intensity and power of a real life experience...this is one hell of a film!” – John Harrison, The National Stuttering Association 

“VOICE IN EXILE is among the most notable socio-dramas on the subject of people with physical challenges.” - Geoff Alexander, Academic Film Archive of North America

 “VOICE IN EXILE is a remarkable little film!” – Mitchell Fink, Los Angeles Herald Examiner 

About the Film: 

VOICE IN EXILE is an internationally acclaimed award-winning dramatic and archetypal film journey into the mind and emotions of Alan Woodward, a seventeen-year old stutterer, exploring the inner and outer trials, tribulations and fears that stutterer’s often endure. Because of Alan's stuttering, communicating the simplest idea is often impossible. Everywhere Alan goes he faces impatient people who do not understand his severe speech problem. At school, Alan faces snickers and stares that wound him. At night, the horrors of Alan's days invade his dreams, leaving him no peace in sleep. At home, Alan faces loving parents who share his frustration; yet, they are confused and often misguided in their efforts to help him overcome his stuttering. It is Alan's grandfather, a recently retired college professor, who seems to be the only one able to communicate with and help Alan embark on a journey of transformation that ultimately leads to the release of his imprisoned inner voice.

 The writer/director of this powerful cinematic work, Mark Allan Kaplan, is himself a stutterer and this film is the culmination of Mark's deep personal quest to express the inner life of the stutterer through film. This quest for expression began with the writing of the script, during which Mark delved deeply into his own experiences and emotions as a stutter and tried to translate them into a dramatic story. The script was further developed with the additional input from interviews with other stutterers, while Mark worked with his committed cinematography, sound, and production design teams to translate the experiential reality of the stutterer into a visceral audiovisual language. Then Mark worked with the actor playing Alan, Ben Bottoms, on both the physical aspects of stuttering and the emotional underpinnings.

 As a result of this passionate personal and collective effort, VOICE IN EXILE is a remarkably gripping film that touches viewers on many levels. On one level, it is about a young man's quest to conquer his stuttering. On another level, it is about the inner struggle of all those faced with physical and psychological challenges. On a broader and deeper level, the film speaks to all of us as it addresses a universal theme - the struggle to overcome one's legitimate and unfounded fears...fears that inhibit us, often with disastrous results. A Film By Mark Allan Kaplan Starring Ben Bottoms, Jesse Ehrlich, Richard Sarradet, and Sarah Simmons Produced at the American Film Institute Center for Advanced Film Studies

 For more on VOICE IN EXILE visit www.voiceinexile.com


New Edition of "A Mystical Passover: A Transformational Passover Haggadah" Now on Amazon



New 3rd Edition of "A Mystical Passover: A Transformational Passover Haggadah" Now available for purchase on Amazon.com at: http://www.amazon.com/Mystical-Passover-Transformational-Haggadah/dp/148198893X/

A MYSTICAL PASSOVER: A TRANSFORMATIONAL PASSOVER HAGGADAH offers a powerful trans-denominational psycho-spiritual approach to the Passover experience that includes individual and group psycho-spiritual exercises to help transform the holiday into a deeply mystical and magical experience for young and old alike.

From the Introduction:

This Passover (Pesach) Haggadah represents a process of spiritual exegesis that I have employed as a vehicle for deepening and healing my relationship with Judaism, my religion of origin. This process consisted of a radical interpretation of the Passover rituals and prayers into a language and process that resonated with my own heart while also attempting to honor the heart of Judaism itself. Through this technique I have endeavored to heal old wounds and purge myself of the obstacles between the Divine and myself.

There are three basic levels of text interpretation in the Jewish tradition: Literal-Biblical, Theoretical-Talmudic, and Mystical-Kabbalistic (Fishbane, 1998; Kenton, 1980). Literal-Biblical text interpretation includes the historical, biblical and narrative levels of the material. Theoretical-Talmudic text interpretation consists of the extrapolation of the philosophical, ethical, moral and religious doctrines, laws and teachings that are woven into the fabric of the written material. Mystical-Kabbalistic text interpretation seeks to unearth the hidden and concealed metaphysical teachings buried in the text.

On the literal level of interpretation, Passover is a ritualistic retelling of the story of a historical biblical event, the Israelites’ exodus from bondage in Egypt. On the theoretical level, the story and rituals of Passover have many philosophical, ethical, moral and religious lessons to teach us about human behavior and the human endeavor to live according to the teachings of the religion of Judaism. Traditionally, the rituals of Passover, including the Passover Seder, tend to focus on these two levels of interpretation and understanding. In the Jewish mystical tradition, Passover can also be seen as a powerful vehicle for personal and communal psycho-spiritual development. From the Mystical-Kabbalistic perspective, the Passover story of a people being freed from the bondage of slavery is transformed into a road map for how an individual can be freed from the bondage of limited consciousness (Kenton, 1980); the land of Egypt becomes the realm of narrowness of body and mind, and Moses becomes the Higher Self being called upon by the Divine to free all the different voices of the psyche (the children of Israel, THE AWAKENING SELF) from the bondage of the ego (Pharaoh).

This mystical level of interpretation became my pathway through the metaphysical gates of these ancient and sacred rites of inner and outer freedom, and my attempt to integrate all three of these levels of interpretation, along with the interpretative constructs of the various denominations of the Judaic tradition, has lead me to the discovery of this powerful transformative psycho-spiritual Passover experience.

About the Author:

MARK ALLAN KAPLAN, PHD is a psycho-spiritual researcher, counselor, educator, and author focusing on integral, transpersonal, and transformative approaches to spiritual life and practice. His writings include "Prayers for the Awakening Self" and "The Experience of Divine Guidance," and he is the founder of the Integral Judaism Project, a trans-denominational research initiative exploring integral and transformative approaches to Judaic theory and practice.


Integral Cinema Studio Translated into Russian Online


Aypraktik, a Russian integrally-informed initiative, has begun to translate and post online Russian translations of the Integral Cinema Studio article series, originally published by Integral Life.

The first translated article can be found at: http://ipraktik.ru/inform/approach/integral-cinema.html.

Translations by Polina Dushatskaya with editing by Eugene Pustoshkin and technical support by Dmitry Baranov.

Original English articles available at Integral Life.


"Voice in Exile" DVD Release - Now Available at Amazon.com



The DVD of "Voice in Exile," my dramatic AFI film about a young stutterer, is now available for purchase from Amazon at: http://www.amazon.com/Voice-Exile-Ben-Bottoms/dp/B00BJC8J9C/

About the Film and the Process of Creating it...

Voice in Exile is a dramatic transformative film journey into the mind and emotions of Alan Woodward, a seventeen year old stutterer. Seeing the world, both imagined and real, through Alan's eyes, we share the nightmare that haunts him and his family as he struggles to not let his stuttering stop him from living.

My goal as a filmmaker was to capture the inner and outer world of the stutterer through dramatic, symbolic, archetypal, and audiovisual expression. This was a deeply personal journey for me since I have been a stutterer for most of my life.

The process began with the writing of the script. During the scriptwriting phase I delved into my own experiences and emotions as a stutter and tried to translate them into a dramatic story. I also interviewed other stutterers for additional research. The script was further developed while I worked with my cinematographer and production designer to translate the experiential reality of the stutterer into a visceral audiovisual language.

An audiovisual score was created for the film to explore the use of the expressive elements of space, shape, line, light, color, tone, rhythm, movement, orientation, time, contrast/affinity, sign, symbol and archetype in the capturing of the emotional and perceptual states of an individual who stutters. This score was developed from the my own personal story and experiences, along with the stories and experiences of other stutterer's. The screenplay and storyboards were created concurrently with the visual score, enabling the integration of the visual design throughout the piece. The visual score included divisions for subjective and objective perceptions of waking reality (SPR/OPR); subjective dream states (SDS); and subjective developmental transitions (SDT).

Throughout this process and the rest of preproduction, production, and postproduction, a profound inner battle waged within me. Part of me desired to share these inner experiences with others, while another part of me was terrified of revealing this deeply personal emotional reality.

This personally transformative filmmaking experience also appeared to have a transformative effect on viewers of the film as well. A majority of stutterer's reported feeling as though the film captured their inner lives. This produced emotional release, a reduction in feelings of isolation, and an increase in self-esteem in numerous cases. There was one reported case of the film averting an individual’s attempt at suicide. Families of stutterer's who viewed the material reported an increase in understanding and empathy for the family member who stuttered. Non-stutterer's reported an increase in understanding about stuttering and empathy for people who stutter.

"Voice in Exile" also won numerous awards including the Golden Gate Award at the San Francisco International Film Festival and the Silver Medal at the Chicago International Film Festival, and was aired on Cinemax/HBO and A&E Cable Networks.


More Information About "Voice in Exile" is available at voiceinexile.com.


Integral Cinema Studio Dialogue with Ken Wilber (Part 3 & 4)


Announcing the Online Publication of Part 3 and 4 of 
An Audio Dialogue Between Ken Wilber and Mark Allan Kaplan 
Exploring the Application of Integral Theory to 
Cinematic Media Theory and Practice.

For over a year now, Integral Cinema Project Lead Researcher Mark Allan Kaplan has been producing a groundbreaking monthly article series at Integral Life: the much-acclaimed Integral Cinema Studio. In this remarkable exploration, Mark walks us through all of the main elements of Integral theory—using some of our favorite movies to illustrate the basics of the Integral approach, while noting how each of these elements has shaped the cinema experience since the invention of film itself. Not only does this series offer a wealth of perspective and insight to film, filmmakers, and audiences alike, but it also brings more color, more sound, and more awesome explosions to Integral thought and practice! Listen as Mark and Ken Wilber take an in-depth look at one of Integral Life's longest-running series, Integral Cinema Studio.

This dialogue serves as a wonderful introduction to the major elements of integral theory. For those already familiar with the Integral model, this is a nice opportunity to both revisit your understanding of integral theory and to see how it can be applied to just about any interest, activity, or pursuit that you may have.

Either way, Integral Cinema Studio is a terrific way to deepen and enrich your own experience of film, simply by recognizing some of the deeper patterns and perspectives running through your favorite movies that you may not have recognized before. All of the elements of the Integral model are present in our awareness right now; Integral theory simply points to all the various aspects and dimensions that shape our experience of this present moment. It's therefore no surprise that we can see all of these elements reflected in various characters, conflicts, and stories throughout the history of film. Of course, whether the film-makers themselves actually intended this, or just intuited it, is another question—and to some degree inconsequential to the beauty and profundity we experience when these ideas and perspectives come to life on the big screen.

What's more, this discussion and blog series promises to inspire a whole new generation of writers and filmmakers. It's not just how you express these perspectives, ideas, and insights—Integral Art does not require you to represent all quadrants, all levels, all lines, all states, etc. in your work (though all of these elements are implicitly present in every piece of art). Rather, it's about whether you are able to account for all of these in your own awareness, thereby allowing you to draw from a far richer, more colorful, and more comprehensive pallet of human experience.

So grab a snack from the concession stand, turn off your phone, and enjoy this groundbreaking discussion between Mark Allan Kaplan and Ken Wilber!


Integral Cinema Studio Dialogue with Ken Wilber (Part 2)


Announcing the Online Publication of Part Two of 
An Audio Dialogue Between Ken Wilber and Mark Allan Kaplan 
Exploring the Application of Integral Theory to 
Cinematic Media Theory and Practice.

For over a year now, Integral Cinema Project Lead Researcher Mark Allan Kaplan has been producing a groundbreaking monthly article series at Integral Life: the much-acclaimed Integral Cinema Studio. In this remarkable exploration, Mark walks us through all of the main elements of Integral theory—using some of our favorite movies to illustrate the basics of the Integral approach, while noting how each of these elements has shaped the cinema experience since the invention of film itself. Not only does this series offer a wealth of perspective and insight to film, filmmakers, and audiences alike, but it also brings more color, more sound, and more awesome explosions to Integral thought and practice! Listen as Mark and Ken Wilber take an in-depth look at one of Integral Life's longest-running series, Integral Cinema Studio.

This dialogue serves as a wonderful introduction to the major elements of integral theory. For those already familiar with the Integral model, this is a nice opportunity to both revisit your understanding of integral theory and to see how it can be applied to just about any interest, activity, or pursuit that you may have.

Either way, Integral Cinema Studio is a terrific way to deepen and enrich your own experience of film, simply by recognizing some of the deeper patterns and perspectives running through your favorite movies that you may not have recognized before. All of the elements of the Integral model are present in our awareness right now; Integral theory simply points to all the various aspects and dimensions that shape our experience of this present moment. It's therefore no surprise that we can see all of these elements reflected in various characters, conflicts, and stories throughout the history of film. Of course, whether the film-makers themselves actually intended this, or just intuited it, is another question—and to some degree inconsequential to the beauty and profundity we experience when these ideas and perspectives come to life on the big screen.

What's more, this discussion and blog series promises to inspire a whole new generation of writers and filmmakers. It's not just how you express these perspectives, ideas, and insights—Integral Art does not require you to represent all quadrants, all levels, all lines, all states, etc. in your work (though all of these elements are implicitly present in every piece of art). Rather, it's about whether you are able to account for all of these in your own awareness, thereby allowing you to draw from a far richer, more colorful, and more comprehensive pallet of human experience.

So grab a snack from the concession stand, turn off your phone, and enjoy this groundbreaking discussion between Mark Allan Kaplan and Ken Wilber!


Integral Cinema Project Receives Donation of Write Brothers Software



The Integral Cinema Project has received the generous donation of Movie Magic Screenwriter, Dramatica Pro, and Outline 4D cinematic story creation software programs from Write Brothers, Inc.

Movie Magic Screenwriter is one of the film industry’s most highly regarded screenwriting software programs, Dramatica Pro is an award-winning story creation program, and Outline 4D is a story outlining and timeline building program.

The Integral Cinema Project is using these three software programs to help study the development process of the textual dimension of cinematic creation.

Our initial testing of these programs suggests that they can be used a valuable tools in the creation of integrally-informed cinematic works by offering the integrally-informed cinematic creator and creative team a wide range of story creation methodologies and dimension-perspectives.

Dramatica Pro offers a powerful story creation methodology based on a unique and integrally-informed story development theory and approach, which uses a four-quadrant approach to story structure. Like Ken Wilber’s Integral Theory, Dramatica’s quadratic approach is based on an expansion of the big three domains of 1st, 2nd, and 3rd person dimension-perspectives. While Wilber’s model adds the 3rd person plural as the fourth quadrant, Dramatica uses the addition of the 1st person plural dimension-perspective.

Outline 4D extends this integrally-informed story creation process by adding the ability to view the created story from in-depth and overview vertical-outline and horizontal-timeline perspectives, offering the capacity to move through the individual and collective dimensions of a story with varying depth and span.

Movie Magic Screenwriter integrates these developed multi-dimensional story elements and assists in the further development of the created story into a screenplay (teleplay, etc.) format, while also offering tools to help take the elements of the screenplay into the next pre-production and production phases of script breakdown, storyboarding, scheduling and budgeting.

We are deeply grateful for the contribution of these software programs, and for the support and inspiration of the creators of Write Brothers software.

Integral Cinema Studio Dialogue with Ken Wilber (Part 1)


Announcing the Online Publication of Part One of 
An Audio Dialogue Between Ken Wilber and Mark Allan Kaplan 
Exploring the Application of Integral Theory to 
Cinematic Media Theory and Practice.

For over a year now, Integral Cinema Project Lead Researcher Mark Allan Kaplan has been producing a groundbreaking monthly article series at Integral Life: the much-acclaimed Integral Cinema Studio. In this remarkable exploration, Mark walks us through all of the main elements of Integral theory—using some of our favorite movies to illustrate the basics of the Integral approach, while noting how each of these elements has shaped the cinema experience since the invention of film itself. Not only does this series offer a wealth of perspective and insight to film, filmmakers, and audiences alike, but it also brings more color, more sound, and more awesome explosions to Integral thought and practice! Listen as Mark and Ken Wilber take an in-depth look at one of Integral Life's longest-running series, Integral Cinema Studio.

This dialogue serves as a wonderful introduction to the major elements of integral theory. For those already familiar with the Integral model, this is a nice opportunity to both revisit your understanding of integral theory and to see how it can be applied to just about any interest, activity, or pursuit that you may have.

Either way, Integral Cinema Studio is a terrific way to deepen and enrich your own experience of film, simply by recognizing some of the deeper patterns and perspectives running through your favorite movies that you may not have recognized before. All of the elements of the Integral model are present in our awareness right now; Integral theory simply points to all the various aspects and dimensions that shape our experience of this present moment. It's therefore no surprise that we can see all of these elements reflected in various characters, conflicts, and stories throughout the history of film. Of course, whether the film-makers themselves actually intended this, or just intuited it, is another question—and to some degree inconsequential to the beauty and profundity we experience when these ideas and perspectives come to life on the big screen.

What's more, this discussion and blog series promises to inspire a whole new generation of writers and filmmakers. It's not just how you express these perspectives, ideas, and insights—Integral Art does not require you to represent all quadrants, all levels, all lines, all states, etc. in your work (though all of these elements are implicitly present in every piece of art). Rather, it's about whether you are able to account for all of these in your own awareness, thereby allowing you to draw from a far richer, more colorful, and more comprehensive pallet of human experience.

So grab a snack from the concession stand, turn off your phone, and enjoy this groundbreaking discussion between Mark Allan Kaplan and Ken Wilber!


Germaine Dulac on Integral Cinema



The term integral cinema was first used by French avant-garde filmmaker Germaine Dulac in the 1920s. Dulac employed this term to describe cinema that utilized the natural inherent language of the cinema to evoke the interior life normally hidden beneath the exterior life of the objective world (Flitterman-Lewis, 1996). This form of cinema was also called pur cinema or visual music, because of the contention by its adherents that the language of the cinema is a language all its own, more related to music or poetics, than to literature or drama. In order to liberate the cinematic image from literary or dramatic expression, “…Dulac sought to create for the spectator a ‘cinegraphic sensation’ that could be achieved through the contemplation of pure forms in movement—the melodic arrangement of luminous reflections, the rhythmic ordering of successive shots” (Flitterman-Lewis, 1996, pp. 69-70).

While Dulac’s theoretical writings and public discourses on integral cinema mostly focus on this definition, her films reveal two distinct types of cinematic approaches. Whereas some of her films did seek to explore pure visual music approaches of using cinematic imagery, movement, and rhythm to reveal the interior life, films like her 1928 classic, La Coquille et le Clergyman (The Seashell and the Clergyman), reveal the raw beginnings of a more comprehensive or “integral” approach that attempts to use the inherent language of the cinema to capture and express the interior and exterior lives of both the individual and the collective. Dulac hints at this approach when she writes, “It isn’t enough to simply capture reality in order to express it in its totality; something else is necessary in order to respect it entirely, to surround it in its atmosphere, and to make its moral meaning perceptible…” (Dulac, as cited in Flitterman-Lewis, 1996, p. 49). This more comprehensive approach hauntingly captures some of the constructs of Jean Gebser’s integral worldview (1985) and Ken Wilber’s Integral Theory (1995) while predating both by 21 and 67 years, respectively.

For more on this see my article Toward an Integral Cinema, available for download at: http://integrallife.com/integral-post/toward-integral-cinema

Integral Cinema Studio Has a New Home on Integral Life


The Integral Cinema Studio article series has a new home on Integral Life's new website at: http://integrallife.com/integral-post/integral-cinema-studio-holonic-lens

Many thanks to Corey DeVos and the entire Integral Life team for their support and for all their hard work in putting up the new site and their wonderful and creative publishing work on the series.





The Integral Cinema Studio series is a pioneering exploration of film and cinema through an integral lens, in which Mark Allan Kaplan shows how all the various elements of Integral theory have been expressed on the big screen through some of our greatest and most cherished pop-culture landmarks.


Integral Cinema Project Receives Donation of SHARM Software



The Integral Cinema Project has received the generous donation of SHARM Studio 4 Software from CyberTeam, Ltd.

SHARM Studio is a professional transformational audio tool that provides the capacity to create transformative audio entrainment soundtracks including the creation of original ambient scores along with the embedding of brainwave entrainment binaural, monaural, and/or isochronic tones.

SHARM Studio 4 Screenshot

The Integral Cinema Project is using this software to create transformative soundtracks for our cinematic experiments, and preliminary research suggests that the integration of this type of sound with integrally-designed visual and textual elements can significantly increase the immersive and transformational capacity of cinematic media.

We are deeply grateful for the support of CyberTeam.

The Integral Cinema Studio Series at Integral+Life.com

Announcing the INTEGRAL CINEMA STUDIO article series at Integral Life...
The Integral Cinema Studio at Integral Life is an article series on the application of Integral Theory to cinematic media theory and practice.

Integral Theory is a metatheory that offers several perspective-taking frameworks or lenses of perception through which we can perceive, experience, and integrate the multiple dimensions of existence. In this series of articles I will be exploring applying these various Integral lenses to the creation and viewing of cinematic media, which I am defining as any media that uses moving (kinetic) images as a means of expression.

This series is written with a general audience in mind and no prior knowledge of either Integral or cinematic theory is required. My hope is that there is something here for the novice and the expert, for the artist, theorist, and the average viewer of cinematic media in all its forms, and for those on the journey to better understand their self, culture, and world.

The first Integral lens I am exploring is the HOLONIC lens. To view this article click here.


Please join me in this exploration of the further reaches of the cinematic arts...

Special Thanks to Ken Wilber, Corey DeVos, David Riordan, Michael Schwartz, and all the gang at Integral Life for the inspiration and support, and for providing this wonderful platform for sharing my work.

Images: Integral+Life Logo; The Matrix Reloaded (2003)

Announcing the Integral Cinema Project's Affiliation with the Integral Research Center



The Integral Cinema Project is now affiliated with the Integral Research Center (IRC). The IRC’s mission is to support the advancement of Integral Research (IR) and the global community of Integral scholar-practitioners through a variety of activities including: Supporting Integral research projects through grants and support services; providing a forum and resources for the Integral research community; supporting graduate level education and fieldwork in Integral studies; publishing academic articles and original research through special issues of Journal of Integral Theory and Practice; and by sponsoring the bi-annual Integral Theory Conference.

Integral Research is an emerging approach to mixed methods that is explicitly grounded in Integral Theory and makes use of its post-metaphysical position and its practice of Integral Methodological Pluralism to provide a multi-method approach that weaves together 1st-person, 2nd-person, and 3rd-person methods. IR makes use of multiple methods (qualitative and quantitative) as a way of exploring the multi-faceted and multi-dimensional nature of complex phenomena.


Toward an Integral Cinema



Announcing the publication of…

Towards an Integral Cinema:
The Application of Integral Theory to Cinematic Media Theory and Practice

By Mark Allan Kaplan, Ph.D.

ABSTRACT: Germaine Dulac’s “integral cinema movement” of the 1920s and her integral cinematic work, La Coquille et le Clergyman (1928), are analyzed from a historical and theoretical perspective. Results suggest an early introduction of integral consciousness into cinematic media that corresponds to and predates the integral theories of both Jean Gebser and Ken Wilber. Defining characteristics of what may constitute an integral cinematic work are mapped out and developed into a set of evaluation criteria using the works of Dulac, Gebser, and Wilber. A test of these evaluation criteria with the viewing of several motion pictures is summarized; the results suggest that several past and recent films demonstrate qualities that could be said to constitute an integral cinematic work. A preliminary typology of forms of integral cinematic creation, and the potential benefits and challenges for the application of Integral Theory to cinematic theory and practice are presented and discussed.

Published in The Journal of Integral Theory and Practice, 2010, Volume 5, Number 4, Pages 112-138.

The complete article is available for download at:


Prayers for the Awakening Self eBook Release


PRAYERS FOR THE AWAKENING SELF: A PSYCHO-SPIRITUAL SIDDUR FOR JUDAIC WEEKDAY PRACTICES


NOW AVAILABLE IN PRINTABLE AND READ-ONLY EBOOK EDITIONS

Prayers for the Awakening Self offers mystical and psycho-spiritual translations of traditional Jewish daily prayers and practices designed to invoke deep personal transformation of heart and spirit.

FREE ONLINE PREVIEW

TESTIMONIALS:

"I loved this siddur. Yesher koach!"
- Rabbi Rami Shapiro (Author of The Angelic Way and Minyon)

"This is a remarkable piece of work. I really enjoyed it, especially your humanistic translations of the prayers. Keep up the excellent work."
- Rabbi Roger Ross (Executive Director of The New Seminary)

OFFERED IN FOUR EBOOK (PDF) EDITIONS:
  • $10.00 – Read-Only eBook Edition for Digital Viewing Only
  • $22.00 – Personal eBook Edition for In-Home Personal and Small Family Use (Printable/up to 4 copies*).
  • $40.00 – Family eBook Edition for In-Home Personal and Large Family Use (Printable/up to 8 copies*).
  • $90.00 – Congregational eBook Edition for Public/Non-Commercial Printing Use (Printable/up to 18 copies*).

*Additional permissions to print available for purchase for all printable editions at $5.00 per copy.

PRODUCT DETAILS:

Author: Mark Allan Kaplan, Ph.D.
Contributor: Maja Apolonia Rode
Format: PDF, 8.5 x 11
Pages: 92 pages
Language: English/Hebrew
Item Number: OGPUB-PASE
ISBN-13: 978-0-9797980-2-3
ISBN-10: 0-9797980-2-7

AVAILABLE FOR PURCHASE AT: http://www.markallankaplan.com/publications/awakeningself.htm

Book Review: "A Mystical Passover" (KabbalahConcepts)

KABBALAH-CONCEPTS BOOK REVIEW NO. 12

Title: "A Mystical Passover: A Transformational Passover Haggadah"
Author: Mark Allan Kaplan, Ph.D.
Publisher: Original Gravity
URL: http://www.markallankaplan.com/publications/mysticalpassover.htm

With the Festival of Passover around the corner, I thought it appropriate to share with you details regarding a very beautiful and highly compacted text, in which the Pesach seder and the period of Omer are addressed from mystical and contemporary perspectives, these being aptly reflected in the title "A Mystical Passover: A Transformational Passover Haggadah." The author tells us that this work represents a process comprising, in his own words, "a radical interpretation of the Passover rituals and prayers into a language and process that resonated with my own heart while also attempting to honor the heart of Judaism itself."

Having said that, it is important to note that Mark Allan Kaplan's "Mystical Passover" offers all readers, Jews and non-Jews alike, a way to mental, emotional and spiritual transformation. The ancient saga of a nation being freed from bondage and slavery is "reinterpreted" in a manner which allows the reader the opportunity to have a personal "exodus," so to speak, i.e. being "freed" from the "bondage" of Mochin Katnut, the limited consciousness of the egoic pseudo-self, literally "passing over" into Mochin Gadlut, the condition in which personal consciousness is expanded to embrace the greater "whole," and so, whilst transcending into physical, emotional, mental and spiritual freedom, "awaken" the real "Self."

With his unique "Haggadah," Mark Allan Kaplan invites all and sundry to transform the traditional festival of "Pesach" into a personal journey in which "the land of Egypt becomes the realm of narrowness of body and mind, and Moses becomes the Higher Self being called upon by the Divine to free all the different voices of the psyche (the children of Israel, the Awakening Self) from the bondage of the ego (Pharaoh)." What is truly effective about this specific journey of transformation, is the actual process of "acting it out" in a physical manner, e.g. cleaning the house and the traditional "Pesach" preparations, candle lighting, assembling of family and friends, chanting and the various aspects of the Passover Seder itself, etc., all interpreted from a mystical perspective, so that these will combine into a "pathway through the metaphysical gates of these ancient and sacred rites of inner and outer freedom," which the author correctly maintains will lead to "the discovery of a personally transformative psycho-spiritual Passover experience."

The process expounded in "A Mystical Passover: A Transformational Passover Haggadah" also incorporates the "extended journey" beyond the "Festival of Passover," this being the seven week cycle known as "Sefirat ha-Omer" (Counting of the Omer). Traditionally these seven weeks comprise a period of self examination between Pesach (Passover) and Shavuot (Feast of Weeks). Each of the seven weeks represents a spiritual cycle attributed to one of seven Middot (qualities) equated with the seven lower Sefirot on the Kabbalistic Tree of Life, i.e. from Chesed to Malchut. Each of the seven days of the week is likewise related to one of the mentioned lower Sefirot, hence the days of the first week would be Chesed in Chesed, Gevurah in Chesed, Tiferet in Chesed, Netzach in Chesed, etc.

In this particular regard, I find the section titled "Meditation and Practices - For the Days of Passover and the Counting of the Omer" in Mark Allan Kaplan's "A Mystical Passover" especially meaningful and beneficial. The week/day/sefirah associations are rendered into physical, psychological and spiritual "aspirations," to be achieved by the one undertaking this "journey of transformation." For example, what the author terms the "weekly energies" of the seven weeks respectively associated with the mentioned Sefirot, would be "Mastery of the Body," "Mastery of the Ego," "Attainment of Willingness," "Attainment of Will," "Submission of the Soul," "Access to the Spirit," and "Contact with the Divine," all vitally important factors in what I like to call the "Work of Self Creation."

Now, this text is available as an ebook in various editions. A "personal edition" will cost you $22.00, permitting the printing of 4 copies, whilst the "family edition," which allows the printing of 8 copies, costs $40.00, etc. If these prices should not suit your pocket, you could acquire the "read-only" edition for $10.00.

So, check out Mark Allan Kaplan's website, and whilst you are there, you would do well to investigate the rest of that very interesting domain on the world wide web!!

Jacobus G. Swart
KabbalahConcepts, March 21, 2010
The Sangreal Sodality

A Mystical Passover eBook Release



A MYSTICAL PASSOVER: A TRANSFORMATIONAL PASSOVER HAGGADAH

NOW AVAILABLE IN PRINTABLE AND READ-ONLY EBOOK EDITIONS

A Mystical Passover: A Transformational Passover Haggadah offers a powerful psycho-spiritual approach to the Passover experience and includes individual and group psycho-spiritual exercises to help transform the holiday into a deeply mystical and magical experience for young and old alike. This unique Passover haggadah incorporates all three levels of Judaic interpretation (Biblical, Talmudic, and Kabbalistic) and integrates perspectives and practices from all the current Judaic movements (Orthodox, Conservative, Reconstructionist, Reform, and Renewal).

FREE ONLINE PREVIEW

TESTIMONIALS:

"Thank you for your magnificent work. Our Passover was not only Mystical, it was magical."

"I received the Mystical Passover today. Thank you very much. It is so in line with my way of thinking. God bless you."

OFFERED IN FOUR EBOOK (PDF) EDITIONS:
  • $10.00 – Read-Only eBook Edition for Digital Viewing Only.
  • $22.00 – Personal eBook Edition for In-Home Personal and Small Family Use (Printable/up to 4 copies*).
  • $40.00 – Family eBook Edition for In-Home Personal and Large Family Use (Printable/up to 8 copies*).
  • $90.00 – Congregational eBook Edition for Public/Non-Commercial Printing Use (Printable/up to 18 copies*).

*Additional permissions to print available for purchase for all printable editions at $5.00 per copy.

PRODUCT DETAILS:

Author: Mark Allan Kaplan, Ph.D.
Contributor: Maja Apolonia Rode
Format: eBook (PDF), 8.5 x 11
Pages: 60 pages
Language: English/Hebrew
Item Number: OGPUB-AMPE
ISBN-13: 978-0-9797980-5-4
ISBN-10: 0-9797980-5-1

AVAILABLE FOR PURCHASE AT: http://www.markallankaplan.com/publications/mysticalpassover.htm