The slide show for the "Integral Goes to the Movies" presentation I gave for Bay Area Integral is now available for viewing and download... Topics include the embedding of structures of consciousness in the moving image; the co-evolution of the moving image, consciousness, culture and society; more fully understanding the power of the medium and how it can be used for transformative and evolutionary purposes; and what is Integral theory and what makes a movie "integral"
Showing posts with label Publications. Show all posts
Showing posts with label Publications. Show all posts
"Integral Goes to the Movies" Slideshow
The slide show for the "Integral Goes to the Movies" presentation I gave for Bay Area Integral is now available for viewing and download... Topics include the embedding of structures of consciousness in the moving image; the co-evolution of the moving image, consciousness, culture and society; more fully understanding the power of the medium and how it can be used for transformative and evolutionary purposes; and what is Integral theory and what makes a movie "integral"
Topics:
Publications,
The Integral Cinema Project
Research Report: Integral Cinema Project 2017 Year in Review
Due to the profound shifts in the American zeitgeist, this past year has been deeply soul-searching for many individuals and collectives, and that includes myself and my work through the Integral Cinema Project. I have been asking the question, how can I and the Integral Cinema Project respond to this new landscape and be of service to the evolutionary moment in which we find ourselves? Life as usual just isn’t working any more. I feel a deep impetus to rise to the calling of this moment and seek the what-when-and-how of that calling. While I still do not have all the answers I am called to finally communicate with you and update you on the state of the Integral Cinema journey…
With the ongoing support of many of you, I have been working on several projects this past year, each exploring in some way how to respond to the calling of this new zeitgeist. These include:

An Integral Cinema Project presentation to the Carey Institute for Global
Good outlining an integrally-informed approach to media literacy designed
to help people discern what is the truth in this age of fake news, reality
bubbles and invisible propaganda networks.
A collection of moving image meditations that attempt to use advanced
audiovisual and cinematic entrainment technologies along with animated
abstract art to explore the human perceptual field, potentially inducing
shifts in our awareness of our own perceptual field and bringing the
normally unconscious perceptual construct-forming system of the human mind
to conscious awareness.
My 45 day lived-inquiry experiment of doing a video
journal recording and creating a work of art (still and/or
moving image) every day, along with video journal notes on my integral
cinema research and soul searching process. The 45 day time-frame is
purported to be the time it takes for the human brain to lay down new
neural pathways to make a behavior feel natural and easy. Given my history
as stutterer, I chose video journaling to see if I could transcend my
awkward feelings around speaking in front of the camera. I chose daily art
creation to see if I could transcend the constructs that prevent me
from fully owning my creative soul.
I have also been busy on the integral cinema research front:
- Exploring an integral approach to more deeply understanding the language of the moving image;
- Developing an integral transformative approach to cinematic and experiential design to help creators storify and gamify the spiral of human development;
- Experimenting with new inception and creation practices designed to help creators tap into the evolutionary impulse and generate new story ideas that will speak to the calling of the evolutionary moment;
- Working on a new integral cinematic lens (The Evolutionary Lens) based on the work of Sri Aurobindo and others, and;
- Continuing to write my book on integral cinema (stay tuned...).
At the same time, I have continued my research into the co-evolution of the moving image, consciousness, culture and society, and testing cinematic works for signs of the integral structure of consciousness. For those interested I have posted the 2017 new integral movie and television discoveries on the IMDb Integral Movie and TV List.
On the publication front, I wrote a short piece on What Sam Sheppard Taught me about Storytelling and Life to mark his passing.
On the education front, I am redesigning the meta-movieology courses on using the moving image for the evolution of consciousness, and developing them into asynchronous online courses for general release.
On the enactment front, I am currently in production on an integrally-informed avant-garde video meditation on the wind, and am in development on a low-budget feature film and a television series, videogame and VR/AR/MR transmedia project designed to storify and gamify the individual and collective evolutionary spiral. These projects are all enactment experiments designed to utilize and test the new integral-evolutionary inception and design approaches I am been researching and developing.
And amidst all this I was honored that the Integral Cinema Project was named one of the TransTech 200 Innovators for advancing the work of using technologies for individual and collective transformation.
I believe every problem we have is a problem of consciousness, and that media is one of the most powerful tools humanity has created to affect consciousness on a deep and expansive level. As we have seen more clearly this past year, media has the capacity to shape the hearts and minds of millions of people, for good and for bad. We live in times of ever-present and hyperreal media, fake news and vast propaganda networks. We must find more ways to mitigate and transcend the use of media to manipulate and limit our capacities, and to use media for higher and nobler purposes. I am committed to continuing to work towards these goals and deeply appreciate all the support I have received.
With deep gratitude,
Mark Allan Kaplan, Ph.D.
Integral Cinema Project
Founder and Executive Director
Topics:
Publications,
Research,
The Integral Cinema Project
Media Literacy in a Post-Truth Age
Announcing the release of "Media Literacy for a Post-Truth Age," an Integral Cinema Project presentation to the Carey Institute for Global Good outlining an integrally-informed approach to media literacy designed to help people discern what is the truth in this age of fake news, reality bubbles and invisible propaganda networks.
This approach has been developed from an integration of the some of the most recent understandings and advances in the fields of communication theory, propaganda theory and practice, media psychology, human perception research, and Integral, complexity and systems theories. Topics covered include identifying truth frames, discerning types of truth, sorting truth by spotting propaganda framing techniques, and a set of practices for good media literacy hygiene in the post-truth age.
Media Literacy for a Post-Truth Age: An Integrally-Informed Approach to Media Literacy for Media Consumers and Makers from Integral Cinema Project
Latest Updates to the Integral Movie and TV List Now on IMDb
The Integral Movie and TV List has been updated and is available on Internet Movie Database (IMDb) at:http://www.imdb.com/list/ls074613980/.
On the list you will find all the movies and television series that have tested positive for having integrally-informed elements to varying degrees according to testing criteria developed during research on the application of Integral Theory to cinematic media theory and practice.
According to this research, a cinematic work is deemed to be integral if elements of the integral stage of development are represented in the cinematic form, style, structure, content, and/or are embedded in the material as a presence or atmosphere. These representations of the elements of the integral stage of development can include: The exploration and integration of multiple evolving dimensions and perspectives of lesser and greater depth and span; the concretion of abstract and interior dimensions and perspectives, such as time and interiority, in the service of evolutionary growth and development; an evolutionary story, event, and/or character progression that is given greater than or equal emphasis to conflict resolution, with progression developing vertically through at least three stages or levels of development; the evolutionary impulse as a driving force or causality pattern; the valuing of truth that is qualified by evolving perspectival fields; and/or a Kosmo-centric circle of care and concern that suggests an awareness, integration, and embracing of all of existence.
Recent updates to the list include the following titles:
Movies New to the List:
The Star Wars Saga 1-9 (1977--): When taken as a whole and in their intended narrative order, the first 6 Star Wars films show a full evolutionary and de-evolutionary arc for the character of Anakin Skywalker, aka Darth Vader, from egocentric to Kosmocentric with dark twisting turns and de-evolutionary undercurrents of the deep shadow creating a complex spiral of evolutionary development for the character and the archetypal forces represented by him and his journey. The evolutionary arc of the Skywalker dynasty continues with a second major tetra-evolutionary cycle (inner and outer selves, cultures and systemic forces) following Luke and Leah Skywalker and their world through their evolutionary arc, starting with "Star Wars IV - A New Hope" (1977) through "Star Wars VII - The Force Awakens" (2015) and beyond…projected to be completed with Star Wars IX. For more on this check out the "Unpacking Star Wars 1-7" podcast at: https://youtu.be/_pQ1oz2-ppY
The Last Wave (1977): A haunting mystical cinematic journey into the heart of aboriginal dreamtime and its evolutionary impact on a non-aboriginal person and the greater world at the crossroads of a great awakening (Australia).
Run Lola Run (1998): A fun and wild ride using a temporal loop to take us and the main character on an inner and outer evolutionary journey with great heart and a lightness of being that playfully holds a deeper meaning (Germany)
Star Trek 2009, Star Trek into Darkness and Star Trek Beyond (2009-2016): The rebooted Star Trek trilogy is a beautiful cross-temporal inner and outer evolutionary adventure following the developmental arc of both the young Kirk and Spock that creates both a complete evolutionary cycle through the three films and sets up for another cycle in upcoming films.
VISIT THE IMDb INTEGRAL MOVIE AND TV LIST
More movies and TV series are added to the list as more are tested so check back periodically to keep abreast of the research.
For more on the application of Integral Theory to the cinematic arts visit the Integral Cinema Project at: www.integralcinema.com.
Latest Updates to the Integral Movie and TV List now on IMDb
On the list you will find all the movies and television series that have tested positive for having integrally-informed elements to varying degrees according to testing criteria developed during research on the application of Integral Theory to cinematic media theory and practice.
According to this research, a cinematic work is deemed to be integral if elements of the integral stage of development are represented in the cinematic form, style, structure, content, and/or are embedded in the material as a presence or atmosphere. These representations of the elements of the integral stage of development can include: The exploration and integration of multiple evolving dimensions and perspectives of lesser and greater depth and span; the concretion of abstract and interior dimensions and perspectives, such as time and interiority, in the service of evolutionary growth and development; an evolutionary story, event, and/or character progression that is given greater than or equal emphasis to conflict resolution, with progression developing vertically through at least three stages or levels of development; the evolutionary impulse as a driving force or causality pattern; the valuing of truth that is qualified by evolving perspectival fields; and/or a Kosmo-centric circle of care and concern that suggests an awareness, integration, and embracing of all of existence.
Recent updates to the list include the following titles:
Movies New to the List:
Citizen Kane (1941) - This cinematic masterpiece has hints of the emergence of integral cinematic style and structure into a more main stream form as it traces the evolution of an individual life and explores how our primal wound can both propel us up the ladder of human development while also undermining and regressing us at the same time. While the film's main character falls far short of the higher stages of development, the filmmaker, Orson Welles, potentially elevates us the audience into a higher level of perception as we are cinematically raised up into the integral dimensions of a deeply integrating and witnessing consciousness.
It's Such a Beautiful Day (2012) - Beautiful animated trilogy of shorts that explores the journey of an individual life that dances across the thin line between life and death, time and timelessness, and form and the formless. The film is both raw and elegant and wondrously captures the main character's evolutionary dance from egocentric (self-absorbed) to Kosmocentric (unitive) levels of existence.
The Giver (2014) - A heart-felt integrally-informed psycho-social science fiction film that dramatically explores a post-catastrophe society that has tried to engineer a better world by suppressing the human shadow and de-evolutionary forces from the developmental arc. This suppression ends up also burying many positive and higher emotions and the heart of the evolutionary impulse itself, and an old man who holds the memories of what the world lost gives a young man those memories in hopes of helping him evolve into the catalyst for the re-awakening of the heart and soul of the world.
Share (2014) - "Share" is a subtle and elegant integrally-informed dramatic short film exploring the impact of transcending the boundaries between subjective and intersubjective domains across multiple dimensions of being and becoming. The film's creator is a long time student of Integral Theory and one of the early integral practitioner's who have been attempting to apply Ken Wilber's Integral theories to media.
The Cobbler (2015) A deeply flawed but cute mystical comedy with an integrally-informed undercurrent of the main characters evolution from egocentric to Kosmocentric circles of care and concern.
TV Series New to the List:
Avatar: The Last Airbender (2005-2008) Wonderful and deep yet light-hearted integrally-informed animated TV series that explores the evolving and spiraling dance between the separation and the union of the multiple dimensions of our being and becoming.
The Legend of Korra (2012-2014) - Another integrally-informed animated TV series from the creators of Avatar: The Last Airbender, set in the Avatar universe many years later with a new, this time female, Avatar, expanding and deepening their exploration of the evolving and spiraling dance between the separation and the union of the multiple dimensions of our being and becoming.
VISIT THE IMDb INTEGRAL MOVIE AND TV LIST
More movies and TV series are added to the list as more are tested so check back periodically to keep abreast of the research.
For more on the application of Integral Theory to the cinematic arts visit the Integral Cinema Project at: www.integralcinema.com.
Integral Cinema Project Research Partner Report: Project Catch-IT Article Now Available
The latest research article from the Integral Cinema Project's partner project "Project Catch-IT" is now available online. The article explores the latest findings and approach, including how we used an integral approach to media design to help create a technology-based mental health intervention for teens with depression.
Development of a technology-based behavioral vaccine to prevent adolescent depression: A health system integration model. Internet Interventions, Volume 2, Issue 3, September 2015, Pages 303–313
Development of a technology-based behavioral vaccine to prevent adolescent depression: A health system integration model. Internet Interventions, Volume 2, Issue 3, September 2015, Pages 303–313
The Experience of Divine Guidance Research Presentation
The Experience of Divine Guidance Research Presentation is a presentation given at the Institute of Transpersonal Psychology in June of 2005 presenting the research findings of the doctoral dissertation "The Experience of Divine Guidance: A Qualitative Study of the Human Endeavor to Seek, Receive, and Follow Guidance from a Perceived Divine Source" - Mark Allan Kaplan, Ph.D., Dissertation Abstracts International, 2005, 66 (05), 2855. (UMI No. 3174544).
ABSTRACT: This research study examined the experience of seeking, receiving, and following guidance from a perceived source of divine wisdom. Nine advanced spiritual teachers (5 men and 4 women) from 7 spiritual traditions participated as coresearchers in this study. Coresearchers were North American or European born, predominantly Caucasian, California (USA) residents between the ages of 52 and 74. Coresearcher participation consisted of individual semistructured in-depth interviews. The questions and topics of discussion used for the interviews were developed through a process of researcher heuristic and spiritual self-inquiry. The results of a grounded-theory-based qualitative content analysis of the interview transcripts suggested that the experience of divine guidance, as measured in the current study, is characterized by a common structuring of the experience that includes general categories, factors, and patterns which appear to manifest into various particular and contextual forms depending on the individual person, event, and circumstance. The reported common structures of the experience included: The perception of a divine source of guidance; the experience of seeking, receiving, and following guidance from this perceived source; and various contributing, impeding, developmental, and mediating factors. Additionally, each coresearcher reported a unique metaphor of divine encounter that appeared to give them an archetypal and visceral way of describing and holding the experience. The researcher appeared to experience each of the coresearcher’s metaphors of divine encounter through some kind of resonant learning or mimicking process. A Guidance Experience Template, Guidance Experience Evaluation Checklist, and Synthesized Guidance Practice were developed as aids to counselors, practitioners, and researchers exploring the experience of divine guidance. The findings of this study, and the development and implementation of guidance-related applications in this research, may advance the understanding of this common and historically significant human experience, and offer a valuable contribution to the fields of transpersonal psychology, spiritual guidance, and spiritual psychology.
This presentation is available at SlideShare.
The complete dissertation is available at Google Play and Dissertation Abstracts International.
The Archetypal Lens: A Presentation for an Integral Approach to Archetypes and Archetypes in the Cinematic Arts
“The Archetypal Lens” is a presentation exploring the preliminary application of an Integral approach to archetypes and archetypes in the cinematic arts. Presented at MetaIntegral Academy for the Advanced Meta‐Movieology Course on April 16, 2015. (DOI: 10.13140/RG.2.1.3885.0724).
The presentation is available at SlideShare.
Creative Inspiration
Through the years I have been creatively inspired by many things: a beautiful sunset, a tender human moment, a work of art, a song on the radio, a passing comment by a stranger or a passage in a book or newspaper. During my sophomore year of film school I received the creative inspiration for my film Gun, while I was listening to the Beatles' Happiness is a Warm Gun on the stereo and reading a newspaper article about handgun violence. Suddenly, I saw a series of images in my mind's eye, which then unfolded into a series of stories. The rest of the story solidified when I rented a Magnum 44 prop gun and held it in my hand. I felt a powerful force inherent in the gun, which further inspired me to attempt to capture this presence on film. Throughout the entire process of making the film I felt guided by a creative spirit, receiving inspiration at each step along the way.
![]() |
| Rembrandt’s The Night Watch |
Art is contemplation.
It is the pleasure of the mind which searches into nature
and which there divines the spirit
of which Nature Herself is animated.
- Auguste Rodin
Months later, I had a similar inspirational guidance experience at the foot of Michelangelo’s David in Florence, Italy. Again, I felt a powerful presence in the work of art. Michelangelo and his David were alive in the stone. As I circled the towering figure, every angle revealed another emotional reality, from great courage to hidden fears. I spent the entire day with David; walking around him; sitting and gazing at him from different angles; and meandering through the gallery of Michelangelo’s other sculptures.
![]() |
| Michelangelo’s David and unfinished sculptures |
I saw the angel in the marble
and carved until I set him free.
- Michelangelo Buonarroti
The instructor went on to say that Michelangelo also felt that a work was complete when he had learned the lesson he needed to learn, so sometimes he would leave a piece physically unfinished because he was finished with it internally. This, he added was a blessing for humanity, because without these unfinished works we wouldn’t understand how he created his masterpieces. Somehow, this information was exactly what I needed to hear in that moment. The lecture combined with the visceral experience of the sculptures gave me guidance for my life as an artist and my journey of the spirit.
Excerpt from the book The Search for a Divinely Guided Life by Mark Allan Kaplan, Ph.D.
Topics:
Publications,
The Divine Guidance Project
New Book Release: "The Search for a Divinely Guided Life"
Announcing the publication of
THE SEARCH FOR A DIVINELY GUIDED LIFE
A Spiritual Autobiographical Inquiry into
the Experience of Divine Guidance
by Mark Allan Kaplan, Ph.D.
THE SEARCH FOR A DIVINELY GUIDED LIFE is a first-person true account of one individual's quest for the Divine through time and memory, across many cultures and traditions, through dark nights, gentle graces, and unimaginable miracles and wonders, ultimately leading to the discovery of the one path within the many and the heart of divine wisdom and guidance itself.
SPECIAL OFFERS INCLUDE:
Robin Williams Multimedia Tribute at MetaIntegral
MetaIntegral Foundation wanted to pay tribute to the late Robin Williams from an integral perspective, so they asked me to create it as their resident integral movie expert. I was deeply honored by their invitation and jumped at the change, since I was already exploring this loss from an integral and complex thought perspective for myself.
The experience of writing this work was a deeply personal one because the loss of Robin Williams touched me profoundly, as it did for so many. As this piece evolved it became both a deeply heartfelt and reflective work and a sort of multimedia virtual wake experience as I was drawn to and included relevant video clips of Robin.
I am deeply grateful for this opportunity and thank MetaIntegral for their encouragement and support.
Rest in peace, Robin.
ROBIN WILLIAMS TRIBUTE
Integral Cinema Studio Published in the Russian Journal "Eros and Kosmos"
The Integral Cinema Studio article series, originally published on Integral Life is being translated into Russian and published in "Eros and Kosmos" (Эрос и Космос), a contemporary online Russian language journal exploring integral, transdisciplinary and postmetaphysical perspectives.
The first article in the series, the Holonic Lens, is available at: http://eroskosmos.org/integral-cinema-act-1-holarchic-prism/
Announcing the Publication of "Integral Cinematic Analysis: Mapping the Multiple Dimensions of the Cinema and the Co-Evolution of Cinema, Consciousness, Culture, and Society"
ABSTRACT
This article provides an introduction to the application of integral and transdisciplinary approaches to cinematic media theoretical analysis. The theories and works of Jean Gebser, Edgar Morin, and Ken Wilber are used to potentially integrate major cinematic theoretical and analytical approaches into a comprehensive meta-approach that covers the objective, subjective, intersubjective, and interobjective dimensions of the cinematic arts. Specific integrally informed lenses of cinematic analysis are introduced as part of this meta-approach, based on Gebser’s perspectival structures, Morin’s cinematic complexity, and Wilber’s Integral framework. Potential benefits for the meta-approach are presented, including a deeper and more expansive understanding of the complex interrelatedness of the experience, form, language, and context of cinematic works, collective works of individual cinematic artists, genres and styles, and collective movements within the medium, along with the evolution of the cinematic medium itself and its relationship with the evolution of individual and collective consciousness, culture, and society.
Integral Cinema Studio Translated into Russian Online
The first translated article can be found at: http://ipraktik.ru/inform/approach/integral-cinema.html.
Translations by Polina Dushatskaya with editing by Eugene Pustoshkin and technical support by Dmitry Baranov.
Original English articles available at Integral Life.
The Integral Cinema Studio Series at Integral+Life.com
Announcing the INTEGRAL CINEMA STUDIO article series at Integral Life...

The Integral Cinema Studio at Integral Life is an article series on the application of Integral Theory to cinematic media theory and practice.
This series is written with a general audience in mind and no prior knowledge of either Integral or cinematic theory is required. My hope is that there is something here for the novice and the expert, for the artist, theorist, and the average viewer of cinematic media in all its forms, and for those on the journey to better understand their self, culture, and world.
The first Integral lens I am exploring is the HOLONIC lens. To view this article click here.
Please join me in this exploration of the further reaches of the cinematic arts...
Images: Integral+Life Logo; The Matrix Reloaded (2003)
Prayers for the Awakening Self eBook Release
PRAYERS FOR THE AWAKENING SELF: A PSYCHO-SPIRITUAL SIDDUR FOR JUDAIC WEEKDAY PRACTICES
NOW AVAILABLE IN PRINTABLE AND READ-ONLY EBOOK EDITIONS
Prayers for the Awakening Self offers mystical and psycho-spiritual translations of traditional Jewish daily prayers and practices designed to invoke deep personal transformation of heart and spirit.
FREE ONLINE PREVIEW
TESTIMONIALS:
"I loved this siddur. Yesher koach!"
- Rabbi Rami Shapiro (Author of The Angelic Way and Minyon)
"This is a remarkable piece of work. I really enjoyed it, especially your humanistic translations of the prayers. Keep up the excellent work."
- Rabbi Roger Ross (Executive Director of The New Seminary)
OFFERED IN FOUR EBOOK (PDF) EDITIONS:
- $10.00 – Read-Only eBook Edition for Digital Viewing Only
- $22.00 – Personal eBook Edition for In-Home Personal and Small Family Use (Printable/up to 4 copies*).
- $40.00 – Family eBook Edition for In-Home Personal and Large Family Use (Printable/up to 8 copies*).
- $90.00 – Congregational eBook Edition for Public/Non-Commercial Printing Use (Printable/up to 18 copies*).
*Additional permissions to print available for purchase for all printable editions at $5.00 per copy.
PRODUCT DETAILS:
Author: Mark Allan Kaplan, Ph.D.
Contributor: Maja Apolonia Rode
Format: PDF, 8.5 x 11
Pages: 92 pages
Language: English/Hebrew
Item Number: OGPUB-PASE
ISBN-13: 978-0-9797980-2-3
ISBN-10: 0-9797980-2-7
AVAILABLE FOR PURCHASE AT: http://www.markallankaplan.com/publications/awakeningself.htm
Book Review: "A Mystical Passover" (KabbalahConcepts)
KABBALAH-CONCEPTS BOOK REVIEW NO. 12
Title: "A Mystical Passover: A Transformational Passover Haggadah"
Author: Mark Allan Kaplan, Ph.D.
Publisher: Original Gravity
URL: http://www.markallankaplan.com/publications/mysticalpassover.htm
With the Festival of Passover around the corner, I thought it appropriate to share with you details regarding a very beautiful and highly compacted text, in which the Pesach seder and the period of Omer are addressed from mystical and contemporary perspectives, these being aptly reflected in the title "A Mystical Passover: A Transformational Passover Haggadah." The author tells us that this work represents a process comprising, in his own words, "a radical interpretation of the Passover rituals and prayers into a language and process that resonated with my own heart while also attempting to honor the heart of Judaism itself."
Having said that, it is important to note that Mark Allan Kaplan's "Mystical Passover" offers all readers, Jews and non-Jews alike, a way to mental, emotional and spiritual transformation. The ancient saga of a nation being freed from bondage and slavery is "reinterpreted" in a manner which allows the reader the opportunity to have a personal "exodus," so to speak, i.e. being "freed" from the "bondage" of Mochin Katnut, the limited consciousness of the egoic pseudo-self, literally "passing over" into Mochin Gadlut, the condition in which personal consciousness is expanded to embrace the greater "whole," and so, whilst transcending into physical, emotional, mental and spiritual freedom, "awaken" the real "Self."
With his unique "Haggadah," Mark Allan Kaplan invites all and sundry to transform the traditional festival of "Pesach" into a personal journey in which "the land of Egypt becomes the realm of narrowness of body and mind, and Moses becomes the Higher Self being called upon by the Divine to free all the different voices of the psyche (the children of Israel, the Awakening Self) from the bondage of the ego (Pharaoh)." What is truly effective about this specific journey of transformation, is the actual process of "acting it out" in a physical manner, e.g. cleaning the house and the traditional "Pesach" preparations, candle lighting, assembling of family and friends, chanting and the various aspects of the Passover Seder itself, etc., all interpreted from a mystical perspective, so that these will combine into a "pathway through the metaphysical gates of these ancient and sacred rites of inner and outer freedom," which the author correctly maintains will lead to "the discovery of a personally transformative psycho-spiritual Passover experience."
The process expounded in "A Mystical Passover: A Transformational Passover Haggadah" also incorporates the "extended journey" beyond the "Festival of Passover," this being the seven week cycle known as "Sefirat ha-Omer" (Counting of the Omer). Traditionally these seven weeks comprise a period of self examination between Pesach (Passover) and Shavuot (Feast of Weeks). Each of the seven weeks represents a spiritual cycle attributed to one of seven Middot (qualities) equated with the seven lower Sefirot on the Kabbalistic Tree of Life, i.e. from Chesed to Malchut. Each of the seven days of the week is likewise related to one of the mentioned lower Sefirot, hence the days of the first week would be Chesed in Chesed, Gevurah in Chesed, Tiferet in Chesed, Netzach in Chesed, etc.
In this particular regard, I find the section titled "Meditation and Practices - For the Days of Passover and the Counting of the Omer" in Mark Allan Kaplan's "A Mystical Passover" especially meaningful and beneficial. The week/day/sefirah associations are rendered into physical, psychological and spiritual "aspirations," to be achieved by the one undertaking this "journey of transformation." For example, what the author terms the "weekly energies" of the seven weeks respectively associated with the mentioned Sefirot, would be "Mastery of the Body," "Mastery of the Ego," "Attainment of Willingness," "Attainment of Will," "Submission of the Soul," "Access to the Spirit," and "Contact with the Divine," all vitally important factors in what I like to call the "Work of Self Creation."
Now, this text is available as an ebook in various editions. A "personal edition" will cost you $22.00, permitting the printing of 4 copies, whilst the "family edition," which allows the printing of 8 copies, costs $40.00, etc. If these prices should not suit your pocket, you could acquire the "read-only" edition for $10.00.
So, check out Mark Allan Kaplan's website, and whilst you are there, you would do well to investigate the rest of that very interesting domain on the world wide web!!
Jacobus G. Swart
KabbalahConcepts, March 21, 2010
The Sangreal Sodality
Title: "A Mystical Passover: A Transformational Passover Haggadah"
Author: Mark Allan Kaplan, Ph.D.
Publisher: Original Gravity
URL: http://www.markallankaplan.com/publications/mysticalpassover.htm
With the Festival of Passover around the corner, I thought it appropriate to share with you details regarding a very beautiful and highly compacted text, in which the Pesach seder and the period of Omer are addressed from mystical and contemporary perspectives, these being aptly reflected in the title "A Mystical Passover: A Transformational Passover Haggadah." The author tells us that this work represents a process comprising, in his own words, "a radical interpretation of the Passover rituals and prayers into a language and process that resonated with my own heart while also attempting to honor the heart of Judaism itself."
Having said that, it is important to note that Mark Allan Kaplan's "Mystical Passover" offers all readers, Jews and non-Jews alike, a way to mental, emotional and spiritual transformation. The ancient saga of a nation being freed from bondage and slavery is "reinterpreted" in a manner which allows the reader the opportunity to have a personal "exodus," so to speak, i.e. being "freed" from the "bondage" of Mochin Katnut, the limited consciousness of the egoic pseudo-self, literally "passing over" into Mochin Gadlut, the condition in which personal consciousness is expanded to embrace the greater "whole," and so, whilst transcending into physical, emotional, mental and spiritual freedom, "awaken" the real "Self."
With his unique "Haggadah," Mark Allan Kaplan invites all and sundry to transform the traditional festival of "Pesach" into a personal journey in which "the land of Egypt becomes the realm of narrowness of body and mind, and Moses becomes the Higher Self being called upon by the Divine to free all the different voices of the psyche (the children of Israel, the Awakening Self) from the bondage of the ego (Pharaoh)." What is truly effective about this specific journey of transformation, is the actual process of "acting it out" in a physical manner, e.g. cleaning the house and the traditional "Pesach" preparations, candle lighting, assembling of family and friends, chanting and the various aspects of the Passover Seder itself, etc., all interpreted from a mystical perspective, so that these will combine into a "pathway through the metaphysical gates of these ancient and sacred rites of inner and outer freedom," which the author correctly maintains will lead to "the discovery of a personally transformative psycho-spiritual Passover experience."
The process expounded in "A Mystical Passover: A Transformational Passover Haggadah" also incorporates the "extended journey" beyond the "Festival of Passover," this being the seven week cycle known as "Sefirat ha-Omer" (Counting of the Omer). Traditionally these seven weeks comprise a period of self examination between Pesach (Passover) and Shavuot (Feast of Weeks). Each of the seven weeks represents a spiritual cycle attributed to one of seven Middot (qualities) equated with the seven lower Sefirot on the Kabbalistic Tree of Life, i.e. from Chesed to Malchut. Each of the seven days of the week is likewise related to one of the mentioned lower Sefirot, hence the days of the first week would be Chesed in Chesed, Gevurah in Chesed, Tiferet in Chesed, Netzach in Chesed, etc.
In this particular regard, I find the section titled "Meditation and Practices - For the Days of Passover and the Counting of the Omer" in Mark Allan Kaplan's "A Mystical Passover" especially meaningful and beneficial. The week/day/sefirah associations are rendered into physical, psychological and spiritual "aspirations," to be achieved by the one undertaking this "journey of transformation." For example, what the author terms the "weekly energies" of the seven weeks respectively associated with the mentioned Sefirot, would be "Mastery of the Body," "Mastery of the Ego," "Attainment of Willingness," "Attainment of Will," "Submission of the Soul," "Access to the Spirit," and "Contact with the Divine," all vitally important factors in what I like to call the "Work of Self Creation."
Now, this text is available as an ebook in various editions. A "personal edition" will cost you $22.00, permitting the printing of 4 copies, whilst the "family edition," which allows the printing of 8 copies, costs $40.00, etc. If these prices should not suit your pocket, you could acquire the "read-only" edition for $10.00.
So, check out Mark Allan Kaplan's website, and whilst you are there, you would do well to investigate the rest of that very interesting domain on the world wide web!!
Jacobus G. Swart
KabbalahConcepts, March 21, 2010
The Sangreal Sodality
A Mystical Passover eBook Release
A MYSTICAL PASSOVER: A TRANSFORMATIONAL PASSOVER HAGGADAH
NOW AVAILABLE IN PRINTABLE AND READ-ONLY EBOOK EDITIONS
A Mystical Passover: A Transformational Passover Haggadah offers a powerful psycho-spiritual approach to the Passover experience and includes individual and group psycho-spiritual exercises to help transform the holiday into a deeply mystical and magical experience for young and old alike. This unique Passover haggadah incorporates all three levels of Judaic interpretation (Biblical, Talmudic, and Kabbalistic) and integrates perspectives and practices from all the current Judaic movements (Orthodox, Conservative, Reconstructionist, Reform, and Renewal).
FREE ONLINE PREVIEW
TESTIMONIALS:
"Thank you for your magnificent work. Our Passover was not only Mystical, it was magical."
"I received the Mystical Passover today. Thank you very much. It is so in line with my way of thinking. God bless you."
OFFERED IN FOUR EBOOK (PDF) EDITIONS:
- $10.00 – Read-Only eBook Edition for Digital Viewing Only.
- $22.00 – Personal eBook Edition for In-Home Personal and Small Family Use (Printable/up to 4 copies*).
- $40.00 – Family eBook Edition for In-Home Personal and Large Family Use (Printable/up to 8 copies*).
- $90.00 – Congregational eBook Edition for Public/Non-Commercial Printing Use (Printable/up to 18 copies*).
*Additional permissions to print available for purchase for all printable editions at $5.00 per copy.
PRODUCT DETAILS:
Author: Mark Allan Kaplan, Ph.D.
Contributor: Maja Apolonia Rode
Format: eBook (PDF), 8.5 x 11
Pages: 60 pages
Language: English/Hebrew
Item Number: OGPUB-AMPE
ISBN-13: 978-0-9797980-5-4
ISBN-10: 0-9797980-5-1
AVAILABLE FOR PURCHASE AT: http://www.markallankaplan.com/publications/mysticalpassover.htm
Seeking the Heart of Darkness
Schindler's List (1993)
There is violence in the media. There is violence in the streets. My mind has been asking why… what is cause and what is effect? I have tried to rid my thoughts and actions of violence. I have boycotted violent films and the evening news. I have prayed for peace within and without. Yet I have come to see that I am in the realm of aversion and repression.
Is the violence in the media and in our streets from our collective repression of our fear of death and pain and suffering? In many cultures there are rituals around death and dying. Is our collective unconscious giving us the experiences we are not giving ourselves?
For weeks I thought about seeing Schindler's List (1993) yet the idea of the intense physical and psychological horrors I might see held me back. Finally I decided to create a spiritual practice. As I entered the theater I asked God (Higher Power, etc.) to use this experience for my awakening and healing around my perceptions of the body. As I watched blood spiriting out of a man's head I did not turn away. I allowed the waves of emotions to sweep over me as scores of naked human beings waited to be either showered with deadly gas or cleansing water. I cried as the acts of love and kindness amidst this vast darkness appeared like golden flowers rising from the mud. After the film I sat outside in front of a fountain. All the trials and tribulations of my life were gone. The beauty and impermanence of everything around me washed my mind.
Within this journey through the darkness there was love and hope and beauty. I also found both the darkness and the beauty inside my self. And for a moment they merged into a sort of sweet sorrow.
Now I am seeking a way not to condone yet not to abhor the violence around me. I wonder if I can use it to seek the violence in me and use its dark mud to grow the golden flowers of light.
I have noticed my own tendency to see Transpersonal films in terms of films of light and not of darkness. Yet now I can think of several films, which are clearly transpersonal odysseys through darkness. There are films which show the triumph of the human spirit through the dark horrors of existence (Schindler's List, 1993); films which take us to the horrors and madness deep inside us (Apocalypse Now, 1979); and films which take us through the darkness of our minds on our way to the light (Jacob's Ladder, 1990).
But perhaps every journey through darkness and violence can be consciously used for our own healing. And perhaps as we make this journey and face our fears, the external manifestations will dissolve into the golden lotus growing up from the dark mud.
(Originally published in Focus: The Quarterly Newsletter of the Institute of Transpersonal Psychology, Winter, 2-3, 1994)
Within this journey through the darkness there was love and hope and beauty. I also found both the darkness and the beauty inside my self. And for a moment they merged into a sort of sweet sorrow.
Now I am seeking a way not to condone yet not to abhor the violence around me. I wonder if I can use it to seek the violence in me and use its dark mud to grow the golden flowers of light.
I have noticed my own tendency to see Transpersonal films in terms of films of light and not of darkness. Yet now I can think of several films, which are clearly transpersonal odysseys through darkness. There are films which show the triumph of the human spirit through the dark horrors of existence (Schindler's List, 1993); films which take us to the horrors and madness deep inside us (Apocalypse Now, 1979); and films which take us through the darkness of our minds on our way to the light (Jacob's Ladder, 1990).
But perhaps every journey through darkness and violence can be consciously used for our own healing. And perhaps as we make this journey and face our fears, the external manifestations will dissolve into the golden lotus growing up from the dark mud.
(Originally published in Focus: The Quarterly Newsletter of the Institute of Transpersonal Psychology, Winter, 2-3, 1994)
The Medium is the Transpersonal
It's a Wonderful Life (1946)
What is the connection between the Transpersonal and Cinema? Perhaps the very nature of any creative media is Transpersonal. Film and video, as well as all the arts . . . are ultimately the ideas, thoughts, and feelings of a "personal" mind (or minds) being extended outward to other minds. At this level we might say that the "medium is the message."
In the particular case of film, we have a medium steeped in alchemy, mythology, illusion, magic, and transcendence. When audiences first saw the image of a speeding train projected on a screen in front of them, they leaped from their seats and ran out of the theater screaming. A French magician made films in which people disappeared, became transparent, and flew to the moon. Like an ancient religious ritual we enter a darkened place in silence. As we sit before the giant alter, a great light slices the darkness and transforms the two-dimensional screen before us into a three-dimensional world.
Beyond the transpersonal nature of the medium itself, are some films more transpersonal than others? Surely films about angels (It's A Wonderful Life, 1946), life after death (Ghost, 1990), altered states (Altered States, 1980), dreams (Kurosawa's Dreams, 1990), archetypes (Star Wars, 1977), UFO phenomena (E.T.: The Extraterrestrial, 1982), mystical realities (The Last Wave, 1977) or religious experiences (The Last Temptation of Christ, 1988) are transpersonal in their content. And films that deal with shifts in temporal and spatial reality, like Field of Dreams (1989) and Groundhog Day (1993), weave the transpersonal into the dramatic structure itself. Then there are the films which embrace the transpersonal in the visual form as well as through the subject content and dramatic structure. In films like Wim Wenders' Wings of Desire (1987) and Lawrence Kasden's Grand Canyon (1991) the camera transcends all boundaries, moving through walls and floating through the air to capture the visceral reality of these other realms. Of course these categories tend to overlap and most transpersonal films are a combination of these elements.
In the particular case of film, we have a medium steeped in alchemy, mythology, illusion, magic, and transcendence. When audiences first saw the image of a speeding train projected on a screen in front of them, they leaped from their seats and ran out of the theater screaming. A French magician made films in which people disappeared, became transparent, and flew to the moon. Like an ancient religious ritual we enter a darkened place in silence. As we sit before the giant alter, a great light slices the darkness and transforms the two-dimensional screen before us into a three-dimensional world.
Beyond the transpersonal nature of the medium itself, are some films more transpersonal than others? Surely films about angels (It's A Wonderful Life, 1946), life after death (Ghost, 1990), altered states (Altered States, 1980), dreams (Kurosawa's Dreams, 1990), archetypes (Star Wars, 1977), UFO phenomena (E.T.: The Extraterrestrial, 1982), mystical realities (The Last Wave, 1977) or religious experiences (The Last Temptation of Christ, 1988) are transpersonal in their content. And films that deal with shifts in temporal and spatial reality, like Field of Dreams (1989) and Groundhog Day (1993), weave the transpersonal into the dramatic structure itself. Then there are the films which embrace the transpersonal in the visual form as well as through the subject content and dramatic structure. In films like Wim Wenders' Wings of Desire (1987) and Lawrence Kasden's Grand Canyon (1991) the camera transcends all boundaries, moving through walls and floating through the air to capture the visceral reality of these other realms. Of course these categories tend to overlap and most transpersonal films are a combination of these elements.
I believe there is also a more subtle way that the transpersonal enters the cinema. There are films that move us in ways that are beyond just the stimulation of thoughts, ideas and emotions; beyond content, drama and form. These films cause a subtle shift inside us, they touch us on the level of soul or spirit. Sometimes these films deal directly with transpersonal realms; sometimes they are simple films about love and the human spirit; sometimes they are dark journeys into the underworld.
The power of these films seems to depend on the intersection of our own life's journey with the journey of the film. When this connection is made it seems as though this film was made for us. A chill moves through us and the notion of a grand design touches our awareness. In this way any film becomes transpersonal. From great works of filmic art to pop culture escapist adventures. Somehow the divine seems to be woven into the light of the movie projector. As the images and sounds dance before us, our realities and projections meet. Sometimes we are moved and entertained . . . and sometimes we are transformed.
The power of these films seems to depend on the intersection of our own life's journey with the journey of the film. When this connection is made it seems as though this film was made for us. A chill moves through us and the notion of a grand design touches our awareness. In this way any film becomes transpersonal. From great works of filmic art to pop culture escapist adventures. Somehow the divine seems to be woven into the light of the movie projector. As the images and sounds dance before us, our realities and projections meet. Sometimes we are moved and entertained . . . and sometimes we are transformed.
(Originally published in Focus: The Quarterly Newsletter of the Institute of Transpersonal Psychology, Fall, 1-2, 1993)
Subscribe to:
Posts (Atom)













