Conscious Media-Making 101 MIni-Course



In this introductory course for the Conscious Good Creators Network, Integral Cinema Project founder Mark Allan Kaplan, Ph.D. explores what is conscious media and conscious media-making, what are some of the different potential forms of conscious media-making, and how different states and stages of consciousness effect the media-making process. Mark also explores how these structures of consciousness within us are communicated between us, the works we create and the individuals and collectives that experience our works…and how this knowledge can be used to create deeper and more transformative media experiences for creators and viewers on the individual and collective levels. Mark Allan Kaplan, Ph.D. is an award-winning filmmaker, transdisciplinary artist and media psychologist and researcher. As an artist and media-maker Mark has been exploring conscious art and media since childhood, attempting to use these creative mediums to help himself transcend his own communication challenges of being a severe childhood stutterer and find his "voice" and use that voice to help raise the consciousness of himself, others and the world. He is considered by many to be one of the pioneers in the conscious and transpersonal media movements and is the world's leading researcher and theorist in the application of Integral Theory to the cinematic arts. www.markallankaplan.com & www. integralcinema.com Conscious Media Creators Network is a community-driven online media platform for visual storytellers dedicated to raising consciousness. Conscious Good launched the Creators’ Network as a place where conscious creators and audiences can connect. It’s a place to interact with fellow conscious media tribe members, share resources, ideas and support one another. Use the following link to join the network: https://conscious-good.mn.co/share/7i... This talk was presented on Sunday February 24, 2019 between 12pm to 1:30pm PST on the Conscious Good Creators Network as part of their "Stream of Consciousness" speaker series.

The complete course video is available at: https://youtu.be/A5P2DmRk23w

The presentation slides are available at: https://www.slideshare.net/markallankaplan/conscious-mediamaking-101




2018 Integral Movie and TV List Update


2018 was another challenging year for many of us and sometimes taking a break from all the challenges in these times is needed; sometimes we need an escape or release from the stresses and sometimes we need some distance on our lives and the world to see things from a different perspective. Great integral movies and television or streaming series can often do both at the same time. In addition, integral cinematic works can exercise our perspective-taking capacities, something that can only help us in dealing with these challenging times...plus we get to have popcorn while we are doing our integral cinematic workout...

So here are this last year's additions to the IMDb Integral Movie and TV List of cinematic works that tested positive for elements of the Integral structure of consciousness by the Integral Cinema Project. Some of these are new works released in 2018 and some are older works that have been rediscovered as integral gems from the past. For the complete list of Integral movies and series check out the full list at: http://www.imdb.com/list/ls074613980/


IMDb INTEGRAL MOVIE AND TV LIST UPDATES 2018


Spider-man: Into the Spider-verse (2018; Currently in Theaters) - This animated addition to the Spider-man movie series is an Integral game-changer, a truly extraordinary film that transcends and includes the evolution of comics, anime and superhero films, and so many other domains, worlds, dimensions, perspectives and realities and integrates them into a wondrous, fun, classic yet avant-garde, holistic, holonic, gestalt...integral masterpiece.

Black Panther (2018; Now On Demand and Disk) - Black Panther is a brilliant integral cinematic work that mirrors multiple stages of development in all aspects and levels of its narrative, visual, auditory and editorial expressions. It also shows both healthy and pathological manifestations of each stage and represents subtle ways that one can transcend the pathologies and evolve to higher stages of development. At the same time, this film tackles major psychological, cultural and social issues from primal psychological wounding to complex issues of race, class, oppression and isolationism in subtle and deep ways. And all of this is elegantly hidden beneath the surface of a wonderful and traditional superhero genre piece. Watch our Black Panther TEHNC Podcast series on this important integral work.

Wrinkle in Time (2018; Now On Demand and Disk) - Wrinkle in Time is a beautiful, rich and groundbreaking integrally-informed cinematic work that uses an advanced form of feminine-communion storytelling in its use of communion-centered editorial, camerawork and production design and its nonlinear spiraling evolutionary arc of both its characters and its story. In this multilayered work the shots and cuts are focused less on the action and more on deep and layered emotions, inner promptings and catharses, as the characters and story streams move the characters and us the viewer through various stages of development that evolve through a series of cycles back in and through each stage several times, peeling away different forms and levels of challenges in those stages that ultimately lead to deep yet subtle evolutionary growth. Regrettably this great work falters at the end with a small yet fatal flaw in the story and character lines of development at a peak transition moment. Still a great work worth seeing.

Black Mirror: Bandersnatch (2018; Netflix) - This feature length episode of the groundbreaking integral series from Netflix breaks even more new ground by integrating the interactivity between multiple storyworld streams and the viewer/player experience as we are given choices in how the story unfolds in real time. The integration of story, character and viewer experience even includes the main character starting to act like they can feel us the viewer manipulating their life. The multi-layered complex interconnections between the on-screen storyworld and the viewer/player reality produces a potentially profound experience of deep integral aperspectival awareness in us as we watch and play along. This integration leads us and the main character into intellectually, emotionally and existentially questioning essential aspects of free will, choice and the nature of reality, and potentially shifting us into the integral-Kosmocentric witness state in search of the "big picture" of existence.

Altered Carbon (2018; Netflix) - This Netflix original series explores the question of what part does death play in the evolution of consciousness, culture and society by transporting us to a sci-fi world where death has been eliminated by using technology to digitize consciousness and transfer to other bodies (sleeves). In the first season we see how the absence of death messes with the spiral of development in ways that causes us to potentially loose our humanity while increasing class divides and losing the gravity that draws us toward healthy growth and development and the evolutionary impulse itself.

Ugly Delicious (2018; Netflix) - Celebrity Chef David Chang's cooking travelogue series that explores the evolution of food, its co-evolution with culture and society and its relationship with different structures of consciousness. Special thanks to Jeff Salzman for finding this work...and check out his Daily Evolver podcast review of it - The Integral Practice of Pizza.

Childhood's End (2015; Syfy) - A flawed Syfy cable mini-series adaptation of Arthur C. Clarke's classic integral evolutionary science fiction novel that struggles to find its footing while still imparting the essential evolutionary trajectory of the original work. Even though it lacks the heart and spirit of the original story, one cannot help but feel the power of Clarke's universe and the tale of how the human race will ultimately transcend its limits (with a little help from some other worldly friends) and evolve into a Kosmo-centric species. There is also some of the wonderful archetypal power of the original's transcendent use of the demon/devil archetype.

Selma
(2014; On Demand and Disk) - Selma is a multi-dimensional and multi-perspectival cinematic exploration of an event in the life of the Reverend Martin Luther King, Jr. that reveals the various individual and collective forces that moved all sides of this profound political moment in American history. During this exploration, Dr. King is revealed to be both a flawed human being on the personal relationship level and a masterful integral thinker with the capacity to see a greater depth and span in the events around him than those around him could see. 

Andromeda
(2000-2005; Syfy) - A brilliant, integrally-informed science fiction universe and series based on some unused material by Star Trek creator Gene Roddenberry. This wonderful little series has a progressively unfolding Kosmocentric center-of-gravity at the center of a hybrid mythic, rational and pluralistic storyworld that includes a wondrously simple yet complex exploration of the involution and evolution of consciousness, and an expanded perceptual field of sentient life and all its potential variations of beingness and becoming. Special thanks to Mark Le Sueur for bringing this work to our attention.

Star Trek Universe (1966-Present; Various) - Starting with the original Star Trek television series in 1966, through many itinerations up to the current Star Trek: Discovery streaming series, the Star Trek universe has given us a cinematic example of what an Integral moral universe would look like. With its evolutionary-aware Prime Directive and its trans-species post-Capitalist worldview, the Star Trek franchise has been planting integral consciousness seeds for over 50 years. While the episodes of the original series and the many spin-off series and the various theatrical itineration's vary in terms of just how integral they are in form and content, the center of gravity of the Star Trek universe is decidedly integral and evolutionary in heart and spirit, with the most recent works starting with the Star Trek (2009) theatrical reboot up to the current Star Trek: Discovery streaming series becoming much more integral across all expressive domains. Special thanks to Corey W. DeVos and Cindy Wigglesworth for their major contribution to an integral understanding of this profoundly influential cinematic franchise; be sure to check out their work on the Star Trek universe at IntegralLife.com.

Andrei Tarkovsky's Collected Works (1962-1986; Russia; On Demand and on Disk) - One of this year’s major research breakthroughs was the completion of our testing of the major cinematic works of Russian filmmaker and theorist Andrei Tarkovsky. What we discovered was that Tarkovsky's unique cinematic style, which he calls "sculpting in time," pervades all of his major works and is a masterful integrally-informed capturing of experiential reality. With long simple yet complex poetically choreographed shots that allow for a multi-layed unfolding of each successive cinematic moment, along with subtle shifts between narrative, visual, auditory, and temporal dimensions of individual and collective interior and exterior realities, Tarkovsky miraculously appears to be capturing and expressing a lived experiential reality in a profoundly visceral way. In addition, he seems to have a masterful capacity to capture and orchestrate gross, subtle and causal cinematic energies to create potential transcendental experiences and deep witnessing states in the viewer. With the addition of Tarkovsky's films into the integral cinema historical/evolutionary timeline we can see the deep impact his work has had on the evolution of integral cinema in particular and world cinema in general. The works included in this analysis are: Ivan's Childhood (1962); Andrei Rublev (1966); Solaris (1972); The Mirror (1975); Stalker (1979); Nostalghia (1983); and The Sacrifice (1986). Special thanks to Eugene Pustoshkin for bringing Tarkovsky to our attention and for sharing his deep knowledge of this integral cinema master and his work. For more on the Energetic Lens see Integral Cinema Studio (Kaplan, 2012)

La Jetée (1962; France; On Demand and Disk) - An avant-garde short using all still images to explore the nature of time, memory, dreams, human nature, the impermanence of the world of form and the evolution of self, culture and world, and in the end touches on the Kosmocentric witness at the edge of life and death.

Wild Strawberries (1957; Sweden; On Demand and Disk) - Ingmar Bergman's deeply reflective film explores the evolution of one man's life through memories, dreams, interactions and self-reflections. Through this process Bergman shows us how generational patterns imprison us and cause evolutionary regression, and how becoming a witness to these greater evolutionary and de-evolutionary patterns can awaken us and help us evolve further.

The Razor's Edge (1946; On Demand and Disk) - Adaptation of W. Somerset Maugham's classic tale of a young man in search of the meaning of existence and his evolutionary journey toward a higher and deeper level of being and becoming.

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As you can see this has been a groundbreaking year for integral cinema with several works going beyond what has been done before in terms of integral cinematic expression and storytelling. In addition, the discovery of several important integral works from the past has given us a much clearer sense of the evolution of the embedding of the integral structure of consciousness in the moving image medium. In a strange way it seems that as our everyday reality is facing profound evolutionary challenges we are given a banner year of moving image works that help us expand and deepen our evolutionary awareness. Perhaps the collective evolutionary impulse is sending us a message...




Integral Game-Changer - Spider-Man: Into the Spider-verse (PODCAST)


Spider-Man: Into the Spider-verse (2018) is an Integral game-changer, a truly extraordinary film that transcends and includes the evolution of comics, anime and superhero films, and so many other domains, worlds, dimensions, perspectives and realities and integrates them into a wondrous, fun, classic yet Avant-garde, holistic, holonic, gestalt...integral masterpiece.

Join Integral Cinema Project lead researcher Mark Allan Kaplan, and associate researcher Jonathan Steigman for a quick and spoiler-free rave review podcast on YouTube at: https://youtu.be/V2iTkZWJhhQ or on Vimeo at: https://vimeo.com/308143096





"Integral Goes to the Movies" Slideshow



The slide show for the "Integral Goes to the Movies" presentation I gave for Bay Area Integral is now available for viewing and download... Topics include the embedding of structures of consciousness in the moving image; the co-evolution of the moving image, consciousness, culture and society; more fully understanding the power of the medium and how it can be used for transformative and evolutionary purposes; and what is Integral theory and what makes a movie "integral"

 

Black Panther Marks a Major Integral Cinema Milestone


Marvel's Black Panther is taking the world by storm, raking in over a billion dollars worldwide in its first five weeks of theatrical release, garnering rave reviews from critics and fans, challenging racial and diversity biases and boundaries in Hollywood film culture and beyond, spawning numerous testimonials about the films positive impact on individual viewers and minority communities, and eliciting glowing commentaries on how the film is a milestone in these and other various domains. After analyzing Black Panther and its impact on the individual and the collective, it appears that this wonderful superhero film is a major Integral Cinema milestone as well. 

Black Panther's Integrally-informed cinematic structuring beautifully and subtly mirrors multiple stages of development in all aspects and levels of its narrative, visual, auditory and temporal/editorial expressions. It also shows both healthy and pathological manifestations of each developmental stage and represents subtle ways that one can transcend the pathologies and evolve to higher stages of development. At the same time, the film tackles major psychological, cultural and social issues, from primal psychological wounding to complex issues of race, gender, class, oppression and isolationism, in subtle and deep ways. Most extraordinarily, all of this is elegantly hidden beneath the surface of a wonderful, fun and seemingly-traditional superhero genre piece.

In terms of Black Panther being a milestone in the history of Integral Cinema and the cinema itself, it appears to be groundbreaking in its advanced capacity to integrate and synchronize all dimensions of cinematic expression (Text, Image, Sound and Time) through all levels of storytelling (Textual, Subtextual, Metatextual and Transtextual). While this form of synchronization is at the heart of the cinematic expression tradition, dating back to Sergei Eisenstein in the 1920s and used by many filmmakers since, Integral filmmakers like Ryan Coogler appear to be creating an advanced form that also integrates the different structures of consciousness, culture and society (Archaic, Magic, Mythic, Rational, Pluralistic, Integral). Mr. Coogler's use of this type of cinematic expression in Black Panther is unparalleled in its depth and breadth and the sublime way it hides and integrates its complexity beneath its deceptively simple surface. This approach has the potential to induce subtle yet deeply immersive and transformative experiences in the viewer, transformation that could potentially extend to culture and society as well. This potential is hinted at by the cultural impact the film is already displaying.

From an Integral Cinema perspective, our research suggests that major advances in cinematic expression like those represented by Black Panther affect other creators and their cinematic works. These advances in expression create a major shift in cinematic consciousness, which is the collective way moving images in a given era communicate with the viewer. In turn, these types of advances in cinematic consciousness tend to entrain the audience to perceive in deeper and more expansive ways. In this way the moving image, consciousness, culture and society can be seen to co-evolve.

For more on all of this check out the new Integral Cinema TEHNC podcast series on Black Panther...


3 Keys to Unlock Black Panther (Short introduction to full-length analysis) - This special preview episode introduces you to 3 important keys you can use to unlock the hidden genius of Marvel's blockbuster Black Panther. This 5-minute summation by Integral Cinema Project research associate Jonathan Steigman is a sort of Cliff Notes version to whet your appetite for the full-length examination of the keys and how they manifest in the film with Mark Allan Kaplan, ICP lead researcher and the leading scholar of Integral Cinema.


The Hidden Genius of Black Panther (Full-length analysis) - Mark Allan Kaplan of Integral Cinema Project joins ICP research associate Jonathan Steigman to discuss 3 major keys that can help viewers discover the hidden genius behind the recent Marvel worldwide smash hit, Black Panther. Mark and Jonathan believe the film holds the potential to transform consciousness the world over and they unpack some of its secrets and point to why the film could transform cinematic consciousness as well. Filmmakers and others, take note!

Be sure to also check out Jonathan's short preliminary podcast on The Subversive Brilliance of Black Panther and Mark and Jonathan's short bonus podcast exploring The Previous Films of Black Panther Director Ryan Coogler.

The Ark of Consciousness: A Creative Inquiry into a Model for Transformative Spatial Metadesign


Announcing the online posting of The Ark of Consciousness, a Masters Integral Paper that introduces a model for transformative spatial design using the example of the development of a transformative community and university with outreach, agency and enactment capacities.

This model for spatial metadesign is multidimensional in scope. The metadesign of this proposed transformative community space encompasses its structures, landscape, maintenance and services, subtle energy fields and organizational paradigm. The forces of community, personal growth, spiritual development, education, service, commerce, and ecology are interwoven throughout the community's function and form. The metadesign also attempts to bring together the symbols and archetypes of the worlds' spiritual traditions while aligning integral, transpersonal, complexity and ecological theories with action.

The metadesign of this community space exists on the gross, subtle and causal level. The gross level includes physical forms and the general functions of these forms. The subtle level is the realm of subtle energy fields, eco-design, sacred geometry, directional forces and numerological design elements. The causal level includes the goals, purpose, mission, vision and values of the community. These forces combined are designed to create a multidimensional environment to support, nurture and induce individual and collective transformations of consciousness. While this example is for a physical community space, the theories and approaches used can be equally applied to the creation of virtual and immersive spatial realities as well.

Complete paper available at: https://www.academia.edu/35925956/The_Ark_of_Consciousness_A_Creative_Inquiry_into_a_Model_for_Transformative_Spatial_Metadesign

Research Report: Integral Cinema Project 2017 Year in Review



Due to the profound shifts in the American zeitgeist, this past year has been deeply soul-searching for many individuals and collectives, and that includes myself and my work through the Integral Cinema Project. I have been asking the question, how can I and the Integral Cinema Project respond to this new landscape and be of service to the evolutionary moment in which we find ourselves? Life as usual just isn’t working any more. I feel a deep impetus to rise to the calling of this moment and seek the what-when-and-how of that calling. While I still do not have all the answers I am called to finally communicate with you and update you on the state of the Integral Cinema journey…

With the ongoing support of many of you, I have been working on several projects this past year, each exploring in some way how to respond to the calling of this new zeitgeist. These include:

An Integral Cinema Project presentation to the Carey Institute for Global Good outlining an integrally-informed approach to media literacy designed to help people discern what is the truth in this age of fake news, reality bubbles and invisible propaganda networks. 

A collection of moving image meditations that attempt to use advanced audiovisual and cinematic entrainment technologies along with animated abstract art to explore the human perceptual field, potentially inducing shifts in our awareness of our own perceptual field and bringing the normally unconscious perceptual construct-forming system of the human mind to conscious awareness.

My 45 day lived-inquiry experiment of doing a video journal recording and creating a work of art  (still and/or moving image) every day, along with video journal notes on my integral cinema research and soul searching process. The 45 day time-frame is purported to be the time it takes for the human brain to lay down new neural pathways to make a behavior feel natural and easy. Given my history as stutterer, I chose video journaling to see if I could transcend my awkward feelings around speaking in front of the camera. I chose daily art creation to see if I could transcend the constructs that prevent me from fully owning my creative soul.



I have also been busy on the integral cinema research front:

  • Exploring an integral approach to more deeply understanding the language of the moving image;
  • Developing an integral transformative approach to cinematic and experiential design to help creators storify and gamify the spiral of human development;
  • Experimenting with new inception and creation practices designed to help creators tap into the evolutionary impulse and generate new story ideas that will speak to the calling of the evolutionary moment;
  • Working on a new integral cinematic lens (The Evolutionary Lens) based on the work of Sri Aurobindo and others, and;
  • Continuing to write my book on integral cinema (stay tuned...).

At the same time, I have continued my research into the co-evolution of the moving image, consciousness, culture and society, and testing cinematic works for signs of the integral structure of consciousness. For those interested I have posted the 2017 new integral movie and television discoveries on the IMDb Integral Movie and TV List.

On the publication front, I wrote a short piece on What Sam Sheppard Taught me about Storytelling and Life to mark his passing.

On the education front, I am redesigning the meta-movieology courses on using the moving image for the evolution of consciousness, and developing them into asynchronous online courses for general release.

On the enactment front, I am currently in production on an integrally-informed avant-garde video meditation on the wind, and am in development on a low-budget feature film and a television series, videogame and VR/AR/MR transmedia project designed to storify and gamify the individual and collective evolutionary spiral. These projects are all enactment experiments designed to utilize and test the new integral-evolutionary inception and design approaches I am been researching and developing.

And amidst all this I was honored that the Integral Cinema Project was named one of the TransTech 200 Innovators for advancing the work of using technologies for individual and collective transformation.





I believe every problem we have is a problem of consciousness, and that media is one of the most powerful tools humanity has created to affect consciousness on a deep and expansive level. As we have seen more clearly this past year, media has the capacity to shape the hearts and minds of millions of people, for good and for bad. We live in times of ever-present and hyperreal media, fake news and vast propaganda networks. We must find more ways to mitigate and transcend the use of media to manipulate and limit our capacities, and to use media for higher and nobler purposes. I am committed to continuing to work towards these goals and deeply appreciate all the support I have received.

With deep gratitude,

Mark Allan Kaplan, Ph.D.
Integral Cinema Project
Founder and Executive Director

Media Literacy in a Post-Truth Age


Announcing the release of "Media Literacy for a Post-Truth Age," an Integral Cinema Project presentation to the Carey Institute for Global Good outlining an integrally-informed approach to media literacy designed to help people discern what is the truth in this age of fake news, reality bubbles and invisible propaganda networks.

This approach has been developed from an integration of the some of the most recent understandings and advances in the fields of communication theory, propaganda theory and practice, media psychology, human perception research, and Integral, complexity and systems theories. Topics covered include identifying truth frames, discerning types of truth, sorting truth by spotting propaganda framing techniques, and a set of practices for good media literacy hygiene in the post-truth age.




Art-in-Motion Video Series


The Integral Cinema Project announces the ART-IN-MOTION SERIES, a collection of moving image meditations that attempt to use advanced audiovisual and cinematic entrainment technologies along with animated abstract art to explore the human perceptual field. The intention behind these works is to potentially induce shifts in our awareness of our own perceptual field and bring the normally unconscious perceptual construct-forming system of the human mind to conscious awareness.




APPROACH

ICP cinematic artist and researcher Mark Allan Kaplan attempts to morph one of his artworks into a transformative cinematic meditation using an adapted form of the "Cine-Sculpture" approach developed by ICP research associate James Lusero and combines it with Integral Cinematic Metadesign techniques to synchronize visual, auditory, textual and temporal expressive forms with an underlying transformative perceptual and conceptual field.

ACKNOWLEDGMENTS, ANTECEDENTS AND INSPIRATIONS:

We would like to acknowledge the works of the following individuals and organizations who inspired and laid the foundation for the approaches used in these cinematic works: Integral Cinema and Cinéma Pur pioneer Germaine Dulac; cinematic Montage and Synchronization-of-the-Senses developer Sergei Eisenstein; Filmic Expression pioneers Slavko Vorkapić, Lestor Novros and Bruce Block; Visual Music innovator Jordan Belson; state of consciousness cinematic induction trailblazers Dorothy Fadiman and Ken Jenkins; cinematic creation state explorers James Broughton and David Lynch; audio and visual brainwave entrainment pioneers, innovators and explorers Pierre Janet, Arthur Hastings, Robert Monroe, Dr. Jeffrey Thompson, Kelly Howell, Eric Thompson, iAwake Technologies and Subtle Energy Sciences; the integrally-informed metatheories of Ken Wilber, Jean Gebser, Edgar Morin and Sri Aurobindo; the consciousness hacking innovations of Mikey Siegel and fellow explorers of the Consciousness Hacking movement; and the integrated transdisciplinary “Cine-Sculpture” explorations of Integral Cinema Project research associate and multidisciplinary artist James Lusero.

SPECIAL THANKS

We would like to give special thanks to the folks at iAwake Technologies for their generous donation of the audio entrainment track. To learn more about iAwake Technologies visit them at: http://www.iawaketechnologies.com

You can view the whole series at the Integral Cinema Project's YouTube Channel at: https://www.youtube.com/playlist?list=PLQg0cPXteHDOnD9ehSBTxHXFZ5vL93_pE

My Transformative Creative Expression Experiment



I have been asked by several people what the origin and intentions are behind my most recent works of art.

Both the origins and intentions are multi-layered. In terms of origin, the deep origin of my current and past creative work is and always has been connected to my becoming a stutterer as a young child and using art as a means of communicating without words. In essence, my creative work became my voice.

The more specific "origin" of my more recent stream of creative works began back in April 2017 when I decided to do an experiment of creating a work of art every day for 45 days. The goal was to see if I could deepen my self-owning of identifying myself as "being an artist"...something that I have struggled with for most of my life. The 45-day time-frame was from the book Habits of a Happy Brain by Loretta Graziano Breuning. In the book Breuning explores how it takes 45 days of repeating a pattern (activity, behavior pattern, for instance) for it to begin to feel natural due to the laying down of the neural pathways for the pattern within the brain.

As part of the experiment I also recorded a video journal every day where I explored and reflected on my process. I used video journaling to see if I could learn to feel more natural in front of the camera. As a stutterer I have always had some degree of discomfort using my voice...especially on camera.

During my experiment I created at least one drawing per day, these being meditative mandalas and abstract forms arising from different states of consciousness. I also found myself animating some of my drawings, showing the various stages of creation and setting them to meditative music and sound in what I call art-in-motion videos. Somehow my process evolved to include a deepening, expansion and integration of my varied research interests into a daily "lived inquiry" practice. These research interests include exploring transformative approaches to art and media, the experience of inner guidance and the nature of consciousness itself.

My experiment was so successful for me that I kept doing a work of art every day long after the 45 day period (until my tablet died in October 2017), for a total of 188 days. During the process I found that doing a creative work every day fed my soul, gave me boundless joy and energy, and became a form of therapy and healing for me. The work evolved into a deep integrally-informed, psycho-spiritual-political creative practice that did indeed deepen my self-identity as an artist. My video journaling appeared to expand my process and helped me feel more comfortable and natural using my verbal "voice" both on- and off-camera. The integration of these practices with my research interests created a vibrant daily existence that filled my being with purpose and joy.

As part of my new creative lived-inquiry practice I would start by meditating and trying to connect with the evolutionary impulse or what Jean Gebser referred to as the inner commission that guides our individual and collective evolution. I would then attempt to follow that guidance through my daily explorations of art making and lived inquiry. Through this work I have come to deeply feel and believe that every problem in our lives and the world is a problem of consciousness and our individual and collective development. Because of this my deep intention for my creative and lived inquiry work has become the healing and elevation of my own consciousness and that of the world.

During my experiment, I viscerally discovered three distinct creative guided-inquiry states where I became immersed in what seemed to be either a stream-, field- or arc-of-consciousness and these appeared to be connected to my experience of being, belonging and becoming…
  • BEING or beingness is our Self in the moment; it is who we are when we are being fully present, fully aware and fully who we are in the NOW, in the fluid NOW, for the NOW is any given moment within the STREAM of individual and collective consciousness. 
  • BELONGING is our beingness in relation to the beingness of others and the world. It is our awareness of our interconnectedness with that which appears to be outside of ourselves in various relational and spatial FIELDs of consciousness. 
  • BECOMING is our evolutionary journey; it is our awareness of the whole stream and its place within the ocean of streams. It is where we have been, where we are, and where we are going along our own individual arc of consciousness and within the greater collective evolutionary ARC of humanity. 
As part of this creative guided-inquiry evolutionary process I am attempting to dive into, capture and share with myself and the receiver experiences of the different streams-, fields- and arcs-of-consciousness which in turn can potentially offer us tastes of beingness, belonging and becoming...and hopefully help me the creator and you the receiver to evolve to higher, deeper and more expansive ways of being, belonging, and becoming…

If you are interested in delving deeper into my 45 day experiment you can check out my Lived Inquiry Video Journal on my YouTube Channel...


If you check out the intro and day 45 journals you can get a pretty good idea of the intentions and the results.

I also created a video of all 45 works of art during the 45 day experiment, which can be found on my YouTube Channel...


And for those who want to check out all 188 works of art you can find them on my Tumblr blog or Instagram feed.

If you are touched by my work and would like a print of one of my pieces check out my Artpal page for print options. If you cannot find the piece you want on Artpal, you can contact me directly at arcofconsciousness@gmail.com and I will make it available for purchase on Artpal for you.

And finally I would like to express my deep gratitude for Mr. Lietso, my 7th grade science teacher, who threatened to haunt me after he died if I did not live my life as an artist; to Jill Mellick, who taught me how to use art for personal and collective transformation; to Michael Schwartz for inspiring me to explore an integral approach to art; to fellow artist Jimmy Lusero for re-awakening the artist in me after years of creative slumber; to dear friend Jonathan Steigman and my amazing sister Mardi who gave me shelter while I did this experiment; and to all my friends, family members, colleagues and strangers who bore witness to my journey and gave me their wondrous words, likes and emoji’s of affirmation along the way.




The Integral Cinema Project (ICP) has been chosen as one of this year's TransTech 200, a list that highlights the key innovators, makers, researchers, influencers, organizations, scientists and entrepreneurs who are expanding the known limits of human thriving in the emerging field of Transformative Technologies.



We are deeply honored to have been recognized for our efforts to apply Integral Theory to the domain of moving image media, from film to VR, AR and other transformative Perception Technologies. We look forward to deepening our contribution to the TransTech movement as we continue to map the transformative capacities of various moving-image-based TransTech mediums and platforms, with the goal to develop content creation technologies to help enable TransTech creators to more precisely use their medium to target a particular transformative effect. These include inducing various states of consciousness, shifting perceptual constructs, assisting in emotional and psychological healing, and catalyzing shifts in stages of individual and collective human development.

For more on the TransTech 200 visit their website at: http://transtech200.com

Information about the Integral Cinema Project: http://www.IntegralCinema.com

Integral Peace Project



The Integral Peace Blessing is an integral cinematic experiment playing with an integral peace blessing I discovered. I say "discovered" because it just came out of me during the recording of one of my lived inquiry research video journals.

I have been contemplating what an integrally informed peace practice would be like for some time and this emerged organically out of that process when I began to use the phrase "peace out" that I picked up from hanging out with some young "more hip than me" folks. This unfolded into me organically using four variations on the phrase..."Peace Out, Peace In, Peace In-Between, Peace all Around." It was only after this arose out of me that I realized the four variations perfectly fit into the four quadrants of Integral Theory...Peace Out = Peaceful Actions (UR/Behavioral), Peace In = Inner Peace (UL/Psycho-Spiritual), Peace In Between = Peaceful Relations (LL/Relational), Peace All Around = Collective Peace (LR/Systemic).

After this revelation I then used an integrally-informed editing practice I have been developing to play with the section of the video journal where this integral peace blessing emerged. When I meditated on the video segment I attempted to allow an integrally-informed stream of consciousness state to guide me in the process. What unfolded was a layering of multiple visual and auditory effects to create a visual peace meditation-type experience.

After completing a first draft of the short piece I sensed a need to add audio entrainment music to take it to the next level. I played with several tracks from the iAwake Technologies' collection that seemed peace oriented and a short section from the "Healing Light" entrainment track seemed to organically fit with the visuals.

For this final draft I expanding the piece by repeating the blessing several times, changing the color tinting so that the visuals move through the color spectrum. At the same time I added an audio effect to voicing of the blessing to give the sense that the voice expands into a larger and larger spatial reality with each expression of the blessing.


Special thanks for Jimmy Lusero​ and Jonathan Steigman​ for their valuable feedback which profoundly help shape this work...and...

Deep gratitude to the gang from iAwake Technologies for graciously donating their collections to the Integral Cinema Project for use in our experiments. "Healing Light" can be found at: http://www.iawaketechnologies.com/product/healing-light/

Integral Cinematic Experiences for the Holiday Season



While this has been a challenging year for many of us, it has also been a banner year for the invasion of integral structures of consciousness in the cinematic arts on both the big and small screen from major integral movies like Arrival, Doctor StrangeVoyage of Time and Star Trek Beyond to HBOs new integrally-informed streaming series Westworld

For those of us yearning for an integrally-informed "holiday spirit" cinematic experience, check out these two integrally-informed holiday offerings from Netflix's streaming service (if you don't have a subscription, you can get a one month free trial)...

Sense8 Christmas Special



For a deep and potentially transformative holiday cinematic experience check out the newly released Christmas Special for Netflix's original series Sense8 from the Wachowski's. The series is an integrally-informed dramatic journey that attempts to capture and help us viscerally experience the enmeshment of all four dimension-perspectives of our individual and collective interior and exterior world, as its characters and we the viewer experience the dissolving of the boundaries between individual subjective reality, collective relational reality, individual objective reality, and collective environmental reality. If you haven't already seen the first season of this beautifully transcendent series we highly recommend watching the whole season before watching the Christmas Special.

12 Dates of Christmas



If you are looking for a sweet and sappy integrally-informed Christmas movie, check out the ABC Family movie 12 Dates of Christmas on Netflix. Using the integrally-informed evolutionary time-loop formula from Groundhog Day with a Christmas spin and a female main character, this cute little movie is filled with holiday spirit and light on the outside and deep evolutionary patterns on the inside.

And for more integrally-informed movies and TV series there is always our Integral Movie and TV List on the Internet Movie Database (IMDb) at: http://www.imdb.com/list/ls074613980/


Integral Cinema Feast at the Box Office



This month, November 2016, I detected at least three movies in theaters that tested positive for integrally-informed elements. During the nine years that I have been testing movies for their structures of consciousness I have not seen this many integrally-informed movies in the theaters at the same time. 

If you are interested in having an integrally-informed cinematic experience...check out one or all of these three movies currently in theaters:

Arrival

A haunting and transcendent close-encounter movie that takes us on an elegant inner and outer cinematic journey that subtly attempts to integrate and transcend the boundaries of individual and collective interior and exterior existence, and the nature of language, perception and time itself. 

Doctor Strange

A Marvel "superhero movie" that follows the evolution of the main character as a person and as a hero, from an egocentric or self-centered circle of care and concern to a circle of care and concern for the whole Kosmos. It also has some wild, beautiful and fun expressions of the transcendent nature of time and space.

Voyage of Time

A beautiful visceral IMAX cinematic experience into the evolutionary arc of existence and how holding it in our awareness can give us a deeper, richer and more integrated present-moment experience...the experience of the Kosmo-centric witness. 



For more integrally-informed cinematic works check out The Integral Movie and TV List on the Internet Movie Database (IMDb) at: http://www.imdb.com/list/ls074613980/.

On the list you will find all the movies and television series that have tested positive for having integrally-informed elements to varying degrees according to testing criteria developed during research on the application of Integral Theory to cinematic media theory and practice.

According to this research, a cinematic work is deemed to be integral if elements of the integral stage of development are represented in the cinematic form, style, structure, content, and/or are embedded in the material as a presence or atmosphere. These representations of the elements of the integral stage of development can include: The exploration and integration of multiple evolving dimensions and perspectives of lesser and greater depth and span; the concretion of abstract and interior dimensions and perspectives, such as time and interiority, in the service of evolutionary growth and development; an evolutionary story, event, and/or character progression that is given greater than or equal emphasis to conflict resolution, with progression developing vertically through at least three stages or levels of development; the evolutionary impulse as a driving force or causality pattern; the valuing of truth that is qualified by evolving perspectival fields; and/or a Kosmo-centric circle of care and concern that suggests an awareness, integration, and embracing of all of existence.

For more on the Integral Cinema Project visit us at: www.integralcinema.com

Latest Updates to the Integral Movie and TV List Now on IMDb



The Integral Movie and TV List has been updated and is available on Internet Movie Database (IMDb) at:http://www.imdb.com/list/ls074613980/.

On the list you will find all the movies and television series that have tested positive for having integrally-informed elements to varying degrees according to testing criteria developed during research on the application of Integral Theory to cinematic media theory and practice.

According to this research, a cinematic work is deemed to be integral if elements of the integral stage of development are represented in the cinematic form, style, structure, content, and/or are embedded in the material as a presence or atmosphere. These representations of the elements of the integral stage of development can include: The exploration and integration of multiple evolving dimensions and perspectives of lesser and greater depth and span; the concretion of abstract and interior dimensions and perspectives, such as time and interiority, in the service of evolutionary growth and development; an evolutionary story, event, and/or character progression that is given greater than or equal emphasis to conflict resolution, with progression developing vertically through at least three stages or levels of development; the evolutionary impulse as a driving force or causality pattern; the valuing of truth that is qualified by evolving perspectival fields; and/or a Kosmo-centric circle of care and concern that suggests an awareness, integration, and embracing of all of existence.

Recent updates to the list include the following titles:

Movies New to the List:


The Star Wars Saga 1-9 (1977--): When taken as a whole and in their intended narrative order, the first 6 Star Wars films show a full evolutionary and de-evolutionary arc for the character of Anakin Skywalker, aka Darth Vader, from egocentric to Kosmocentric with dark twisting turns and de-evolutionary undercurrents of the deep shadow creating a complex spiral of evolutionary development for the character and the archetypal forces represented by him and his journey. The evolutionary arc of the Skywalker dynasty continues with a second major tetra-evolutionary cycle (inner and outer selves, cultures and systemic forces) following Luke and Leah Skywalker and their world through their evolutionary arc, starting with "Star Wars IV - A New Hope" (1977) through "Star Wars VII - The Force Awakens" (2015) and beyond…projected to be completed with Star Wars IX. For more on this check out the "Unpacking Star Wars 1-7" podcast at: https://youtu.be/_pQ1oz2-ppY

The Last Wave (1977): A haunting mystical cinematic journey into the heart of aboriginal dreamtime and its evolutionary impact on a non-aboriginal person and the greater world at the crossroads of a great awakening (Australia).

Run Lola Run (1998): A fun and wild ride using a temporal loop to take us and the main character on an inner and outer evolutionary journey with great heart and a lightness of being that playfully holds a deeper meaning (Germany)

Star Trek 2009, Star Trek into Darkness and Star Trek Beyond (2009-2016): The rebooted Star Trek trilogy is a beautiful cross-temporal inner and outer evolutionary adventure following the developmental arc of both the young Kirk and Spock that creates both a complete evolutionary cycle through the three films and sets up for another cycle in upcoming films.

VISIT THE IMDb INTEGRAL MOVIE AND TV LIST


More movies and TV series are added to the list as more are tested so check back periodically to keep abreast of the research.

For more on the application of Integral Theory to the cinematic arts visit the Integral Cinema Project at: www.integralcinema.com.

Integral Cinema Project receives Notable Mention on the TransTech 200 Innovator List



The Integral Cinema Project (ICP) has received Notable Mention in the first-ever TransTech 200 Innovator List, announced at this year’s Singularity University’s Global Summit. This is the first curated list to highlight the key innovators, makers, researchers, influencers, organizations, scientists and entrepreneurs who are expanding the known limits of human thriving in the emerging field of Transformative Technologies.

We are deeply honored to have been recognized for our efforts to apply Integral Theory to the domain of moving image media, from film to VR, AR and other transformative Perception Technologies. We look forward to deepening our contribution to the TransTech movement as we continue to map the transformative capacities of various moving-image-based TransTech mediums and platforms, with the goal to develop content creation technologies to help enable TransTech creators to more precisely use their medium to target a particular transformative effect. These include inducing various states of consciousness, shifting perceptual constructs, assisting in emotional and psychological healing, and catalyzing shifts in stages of individual and collective development.

For more on the TransTech 200 visit their website at: http://transtech200.com

Information about the Integral Cinema Project: http://www.IntegralCinema.com

Integrally Unpacking Star Wars 1-7 (ICP and TEHNC Podcast)



What are the hidden patterns coursing through the "Star Wars" saga? Is J.J. Abrams' "The Force Awakens" just a PC remake of the original 1977 "Star Wars?" What is the best "Star Wars" film, anyway? 

To answer these questions Integral Cinema Project members Mark Allan Kaplan and Jonathan Steigman watched all 7 Star Wars films in their intended order and the experience surprised them both. From the prequel "poorly executed masterpieces" (1-3), to the seminal original Star Wars trilogy (4-6) and the recently-released first episode of the third trilogy, the Star Wars saga has shaped our culture and consciousness for nearly 40 years. Exploring the series through the lenses of Ring Theory and Integral Cinematic Analysis, Jonathan and Mark unpack new insights into George Lucas' monumental achievement.
Watch this joint ICP and TEHNC Podcast, Unpacking Star Wars 1-7 on the Integral Cinema Project YouTube Channel at: https://youtu.be/_pQ1oz2-ppY 

For a deeper dive into the application of Ring Structure to the "Star Wars" saga, check out Mike Klimo's excellent dissection at: http://www.StarWarsRingTheory.com

Information about the Integral Cinema Project: http://www.IntegralCinema.com

If you enjoyed this podcast, you may want to check out "Integral Goes to the Movies" Mark's mind-blowing exploration of the way structures of consciousness are embedded in the moving image. https://youtu.be/qPD1LsbvvpE